Amor, nación e identidad en Rodil: del teatro de Ricardo Palma al de Sebastián Salazar Bondy
This paper comparatively analyzes the works entitled Rodil written one hundred years apart by Ricardo Palma (1851) and Sebastián Salazar Bondy (1951) inspired by the same historical event: the resistance of the Spanish brigadier Rodil in the Real Felipe del Callao after the royalist capitulation. Ta...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2024 |
| País: | Perú |
| Institución: | Universidad Nacional Mayor de San Marcos |
| Repositorio: | Revistas - Universidad Nacional Mayor de San Marcos |
| Idioma: | español |
| OAI Identifier: | oai:revistasinvestigacion.unmsm.edu.pe:article/29111 |
| Acceso en línea: | https://revistasinvestigacion.unmsm.edu.pe/index.php/tesis/article/view/29111 |
| Access Level: | acceso abierto |
| Palabra clave: | Peruvian theatre Rodil Ricardo Palma Sebastián Salazar Bondy national identity teatro peruano identidad nacional |
| Sumario: | This paper comparatively analyzes the works entitled Rodil written one hundred years apart by Ricardo Palma (1851) and Sebastián Salazar Bondy (1951) inspired by the same historical event: the resistance of the Spanish brigadier Rodil in the Real Felipe del Callao after the royalist capitulation. Taking into account the different contexts, the similarities and divergences of the works are sought in the treatment of discourses on power, social classes, generations, ideologies, the body, independence, women and heterosexual love. Special attention is paid to the allegorization of the nation in women and what the plays propose as a denouement to represent a foundational moment of national identity. |
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