Trilce y España, aparta de mí este cáliz: La palabra y la idea de libertad en Vallejo (y una correspondencia posible con Sade)
This essay studies two works by César Vallejo and, in a complementary manner, a possible correspondence with the Marquis de Sade. In Trilce (1922), the crisis of language is studied through the verbal construction, the eschatological theme and the creation-destruction dialectic based on prison exper...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2024 |
| País: | Perú |
| Institución: | Pontificia Universidad Católica del Perú |
| Repositorio: | PUCP-Institucional |
| Idioma: | español |
| OAI Identifier: | oai:repositorio.pucp.edu.pe:20.500.14657/200691 |
| Acceso en línea: | https://revistas.pucp.edu.pe/index.php/lexis/article/view/29267/26568 https://repositorio.pucp.edu.pe/index/handle/123456789/200691 https://doi.org/10.18800/lexis.202401.013 |
| Access Level: | acceso abierto |
| Palabra clave: | Vallejo Verbal freedom Prison Death Sade Libertad verbal Cárcel Muerte https://purl.org/pe-repo/ocde/ford#6.02.06 |
| Sumario: | This essay studies two works by César Vallejo and, in a complementary manner, a possible correspondence with the Marquis de Sade. In Trilce (1922), the crisis of language is studied through the verbal construction, the eschatological theme and the creation-destruction dialectic based on prison experience. The verbal rupture “frees” the imprisoned poet from jail. In España, aparta de mí este cáliz (1939), the transformation of the cadaver into a project for life is studied from a triple discourse that combines the poetic, the political and the religious in favor of the Spanish republican revolutionary movement. The comparison between the popular God-believing intellectual of the twentieth century and the dix-septièmiste aristocratic-revolutionary pornographer shows two poets of the obscure side of modernity. |
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