The configuration of the female characters in the polyphonic structure in The Cardboard house of Martín Adán
Martín Adán's cardboard house was developed at the beginning of the 20th century. His city characters remain in a distant, almost existential reality. The present work studies the configuration of the female characters in the polyphonic structure, a formal aspect that can be seen in this work....
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | Perú |
| Institución: | Universidad Nacional Mayor de San Marcos |
| Repositorio: | Revistas - Universidad Nacional Mayor de San Marcos |
| Idioma: | español |
| OAI Identifier: | oai:revistasinvestigacion.unmsm.edu.pe:article/22497 |
| Acceso en línea: | https://revistasinvestigacion.unmsm.edu.pe/index.php/lenguaysociedad/article/view/22497 |
| Access Level: | acceso abierto |
| Palabra clave: | Polifonía mujer texto ironía Martín Adán Polyphony woman text irony |
| Sumario: | Martín Adán's cardboard house was developed at the beginning of the 20th century. His city characters remain in a distant, almost existential reality. The present work studies the configuration of the female characters in the polyphonic structure, a formal aspect that can be seen in this work. Following the contributions of Mijael Bajtin and Oswald Ducrot, a qualitative analysis of the text is carried out within the framework of literary theory, linguistic theory of enunciation and gender studies. The research concludes that a male speaker enunciates a conservative image of women that reinforces gender patterns sustained in social myths. |
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