The aesthetic phenomenon as communication: Construction of meaning and reality in cinematographic art
Art is an aesthetic and communicative phenomenon. Under this premise, the purpose of this paper is to link both dimensions and understand how reality is constructed from cinematographic point of view. We start from Palazon’s approaches to aesthetic studies and relate them to the construction of sen...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | Perú |
| Institución: | Universidad Nacional Mayor de San Marcos |
| Repositorio: | Revistas - Universidad Nacional Mayor de San Marcos |
| Idioma: | español |
| OAI Identifier: | oai:revistasinvestigacion.unmsm.edu.pe:article/23295 |
| Acceso en línea: | https://revistasinvestigacion.unmsm.edu.pe/index.php/tesis/article/view/23295 |
| Access Level: | acceso abierto |
| Palabra clave: | realidad cine de ficción historia del arte teoría de la comunicación verosimilitud reality fiction cinema art history communication theory verisimilitude |
| Sumario: | Art is an aesthetic and communicative phenomenon. Under this premise, the purpose of this paper is to link both dimensions and understand how reality is constructed from cinematographic point of view. We start from Palazon’s approaches to aesthetic studies and relate them to the construction of sense and generation of reality from artistic perspective, based on authors such as Heidegger, Sánchez Vásquez and Plazaola. This allows us to get closer to André Bazin’s strictly cinematographic ideas. As a construction of recognizable reality, representation in cinema is more verisimilar due to a mediation process that results from communicative act. |
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