El “aura” en la tragedia griega del Nacimiento

Within the limits of Walter Benjamin’s The work of art in the age of mechanical reproduction and Friedrich Nietzsche’s The birth of tragedy, this essay will investigate the intersection between the concept of aura and the attic greek tragedy as conceived by Nietzsche. We will find that the concept o...

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Detalles Bibliográficos
Autor: Miranda, Henry
Tipo de recurso: artículo
Fecha de publicación:2022
País:Perú
Institución:Pontificia Universidad Católica del Perú
Repositorio:PUCP-Institucional
Idioma:español
OAI Identifier:oai:repositorio.pucp.edu.pe:20.500.14657/193845
Acceso en línea:https://revistas.pucp.edu.pe/index.php/estudiosdefilosofia/article/view/26252/24663
https://doi.org/10.18800/estudiosdefilosofia.202201.005
Access Level:acceso abierto
Palabra clave:Walter Benjamin
Friedrich Nietzsche
Aura
Greek tragedy
Cult value
Tragedia griega
Valor cultural
https://purl.org/pe-repo/ocde/ford#6.03.01
Descripción
Sumario:Within the limits of Walter Benjamin’s The work of art in the age of mechanical reproduction and Friedrich Nietzsche’s The birth of tragedy, this essay will investigate the intersection between the concept of aura and the attic greek tragedy as conceived by Nietzsche. We will find that the concept of aura cannot account for the greek tragedy, because, the latter, instead of being experimented as something distant, is lived and described as an immersion, that, despite everything, still keeps its cult value. This work will answer the following - first what is aura; second, how does Nietzsche understand greek tragedy; and finally, what happens in the aura-tragedy crossing.