The presence of opera in Lima, its approach and contribution to popular musical activity

The following article has the objective of knowing and valuing the presence of western music in our culture and its influence as a contribution to a new musical development in the Lima area, trying to answer the question: How does western music approach and does it contribute to the popular musical...

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Detalles Bibliográficos
Autor: Gómez Salinas, Erika Miluska
Tipo de recurso: artículo
Estado:Versión publicada
Fecha de publicación:2023
País:Perú
Institución:Universidad Nacional Mayor de San Marcos
Repositorio:Revistas - Universidad Nacional Mayor de San Marcos
Idioma:español
OAI Identifier:oai:revistasinvestigacion.unmsm.edu.pe:article/24739
Acceso en línea:https://revistasinvestigacion.unmsm.edu.pe/index.php/tesis/article/view/24739
Access Level:acceso abierto
Palabra clave:Lima
música popular
ópera
pregón
análisis musical
popular music
opera
proclamation
musical analysis
Descripción
Sumario:The following article has the objective of knowing and valuing the presence of western music in our culture and its influence as a contribution to a new musical development in the Lima area, trying to answer the question: How does western music approach and does it contribute to the popular musical activity in Lima? It can be affirmed that the learning of the European musical structure, especially opera, took great advantage of popular music, thus achieving the consolidation of new sounds, adhered to a need for socio-cultural identity. For this, a musical analysis of the melodic structure of a proclamation composed by Rosa Mercedes Ayarza is made, which embodies in its conception these two aspects, the academic and popular. Since the theme seeks to analyze, interpret and understand cultural and social events, a critical historical-cultural methodology is used to gain knowledge of the musical dynamics of the Lima people of the time.