Análisis de The End of Evangelion: Ikari Shinji y la negación del recorrido del héroe
This investigation will be centered on the analysis of the protagonist of the film The End of Evangelion, who will be studied through the concepts established by Joseph Campbell in his book The Hero of a Thousand Faces and through the use of Algirdas Greimas´s semiotic square and narrative programs....
| Autores: | , |
|---|---|
| Tipo de recurso: | capítulo de libro |
| Fecha de publicación: | 2019 |
| País: | Perú |
| Institución: | Universidad de Lima |
| Repositorio: | ULIMA-Institucional |
| Idioma: | español |
| OAI Identifier: | oai:repositorio.ulima.edu.pe:20.500.12724/12853 |
| Acceso en línea: | https://hdl.handle.net/20.500.12724/12853 |
| Access Level: | acceso abierto |
| Palabra clave: | Cine de animación Cine de ciencia ficción Películas japonesas Motion pictures Animated films Science fiction films Japanese motion pictures Películas cinematográficas https://purl.org/pe-repo/ocde/ford#5.08.00 |
| Sumario: | This investigation will be centered on the analysis of the protagonist of the film The End of Evangelion, who will be studied through the concepts established by Joseph Campbell in his book The Hero of a Thousand Faces and through the use of Algirdas Greimas´s semiotic square and narrative programs. |
|---|