Federico García Lorca: Blackness and Burnt Imagery as Symbols of Repression
The color black, within the extensive body of studies on Federico García Lorca, has typically been analyzed as a visual element in the poet's palette and in its figurative sense associated with night, death, mourning, grief, or evil, with few variations. This paper undertakes a thoroug...
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| Tipo de documento: | artigo |
| Estado: | Versão publicada |
| Data de publicação: | 2025 |
| País: | Perú |
| Recursos: | Pontificia Universidad Católica del Perú |
| Repositório: | Revistas - Pontificia Universidad Católica del Perú |
| Idioma: | espanhol |
| OAI Identifier: | oai:ojs.pkp.sfu.ca:article/31658 |
| Acesso em linha: | http://revistas.pucp.edu.pe/index.php/lexis/article/view/31658 |
| Access Level: | Acceso aberto |
| Palavra-chave: | Federico García Lorca Simbolismo Cromatismo literario Color negro Symbolism Literary chromaticism Black color |
| Resumo: | The color black, within the extensive body of studies on Federico García Lorca, has typically been analyzed as a visual element in the poet's palette and in its figurative sense associated with night, death, mourning, grief, or evil, with few variations. This paper undertakes a thorough examination of how this color acquires a different significant nuance, one whose foundation can already be found in his early works. Recognizing this nuance and its connections with what is “burnt” provides an additional key to better understanding the avant-garde works of this author |
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