Entre la autoficción y la teoría expresiva del arte: “Efectos del amor propio” de Miguel Álvarez de Sotomayor (c. 1810)
This paper aims to carry out an analysis of the novel Efectos del amor propio (c. 1810) using a broader theoretical framework than the one that has been used so far to study it. Thus, we consider that it can be typified as “autofiction”, a type of novel in which the identity of the main character an...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | Perú |
| Institución: | Pontificia Universidad Católica del Perú |
| Repositorio: | Revistas - Pontificia Universidad Católica del Perú |
| Idioma: | español |
| OAI Identifier: | oai:ojs.pkp.sfu.ca:article/26358 |
| Acceso en línea: | http://revistas.pucp.edu.pe/index.php/lexis/article/view/26358 |
| Access Level: | acceso abierto |
| Palabra clave: | Romanticismo Novela epistolar Autobiografía Prosa lírica Romanticism Epistolary novel Autobiography Lyrical prose |
| Sumario: | This paper aims to carry out an analysis of the novel Efectos del amor propio (c. 1810) using a broader theoretical framework than the one that has been used so far to study it. Thus, we consider that it can be typified as “autofiction”, a type of novel in which the identity of the main character and that of the author are mixed up, and which is conditioned by a new way of understanding artistic creation that emerged in the early nineteenth century: the “expressive theory of art”, applicable to works whose main purpose was the intimate venting of the author. |
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