The art of Ayacucho altarpieces: Religiosity, history and emerging cultural practice
This article deals with how a religious object became popular (in the sense of "popular art" or folklore) and how it became a vehicle for opinion and modernity that is multiform and therefore diversifies the themes to be represented and their meanings. I begin by narrating an event that I...
| Autor: | |
|---|---|
| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2004 |
| País: | Perú |
| Institución: | Universidad Católica San Pablo |
| Repositorio: | Revistas - Universidad Católica San Pablo |
| Idioma: | español |
| OAI Identifier: | oai:revistas.ucsp.edu.pe:article/519 |
| Acceso en línea: | https://revistas.ucsp.edu.pe/index.php/Allpanchis/article/view/519 |
| Access Level: | acceso abierto |
| Palabra clave: | retablo ayacuchano práctica cultural arte popular popular art |
| Sumario: | This article deals with how a religious object became popular (in the sense of "popular art" or folklore) and how it became a vehicle for opinion and modernity that is multiform and therefore diversifies the themes to be represented and their meanings. I begin by narrating an event that I witnessed in August 2001. |
|---|