Tsotsil Rock : stereotypes on another way to make music
Tsotsil rock has been almost more than one decade of presence in the Chiapas musical scene; groups such as Sak tzevul, Vayijel, Lumaltok, among others, realize in his language native to the realities perceived in various fields. However, there have been adjectives from different areas such as “indig...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | México |
| Institución: | UNIVERSIDAD AUTÓNOMA DE CHIAPAS |
| Repositorio: | Revista Espacio I+D Innovación más Desarrollo |
| Idioma: | español inglés |
| OAI Identifier: | oai:ojs.espacioimasd.unach.mx:article/23 |
| Acceso en línea: | https://www.espacioimasd.unach.mx/index.php/Inicio/article/view/23 |
| Access Level: | acceso abierto |
| Palabra clave: | Rock Identidad étnica Industrias culturales Autonomía Ethnic identity Cultural industries Autonomy |
| Sumario: | Tsotsil rock has been almost more than one decade of presence in the Chiapas musical scene; groups such as Sak tzevul, Vayijel, Lumaltok, among others, realize in his language native to the realities perceived in various fields. However, there have been adjectives from different areas such as “indigenous rock”, “ethnic rock”, “etnorock”, to qualify and ste-reotype an occidentalista about creating shapes made from a culture in particular perspective that has empowered its identity, language, and worldview through this musical genere. |
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