Nostalgia of the Encomienda. Rereading Juan Suárez de Peralta's Tratado del descubrimiento (1589)

The work Tratado del descubrimiento de las Yndias y su conquista, written  by the New Spain Creole Juan Suárez de Peralta around 1589, has traditionally been read as just another Conquest chronicle, scarcely interesting in its first chapters, but fully vivid in its “second” part, where the author  t...

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Detalhes bibliográficos
Autor: González González, Enrique
Formato: artículo
Estado:Versión publicada
Fecha de publicación:2009
País:México
Recursos:EL COLEGIO DE MÉXICO
Repositorio:Historia Mexicana
Idioma:español
OAI Identifier:oai:oai.historiamexicana.colmex.mx:article/1763
Acesso em linha:https://historiamexicana.colmex.mx/index.php/RHM/article/view/1763
Access Level:acceso abierto
Palavra-chave:New Spain
Suárez de Peralta
encomiendas
conquest
16th Century
Nueva España
conquista
siglo XVI
Descrição
Resumo:The work Tratado del descubrimiento de las Yndias y su conquista, written  by the New Spain Creole Juan Suárez de Peralta around 1589, has traditionally been read as just another Conquest chronicle, scarcely interesting in its first chapters, but fully vivid in its “second” part, where the author  tells of the so-called conspiracy of Martín Cortés,  Second Marquis of the Valley of Oaxaca. This paper, however, suggests that the Tratado, in keeping with its title, must be read as a treatise in which Suárez de Peralta pleads for the legitimacy of the encomienda and offers an account of the fateful —as he sees them— consequences  brought about by the Crown's rulings to suppress it. Therefore, the Tratado must be considered within the great debates of the time on how conquered peoples, conquerors and their descendants  should be treated. Although not a professional lawyer, Suárez de Peralta turns out to be a resourceful and convincing writer. Far from offering a linear account  of a series of events, he takes advantage of ambiguity in order  to argue, from different  viewpoints,  on several issues. Sensing that he defends a lost cause, his allegation oozes irony, disillusion, and nostalgia.