Los diagramas circulares del Códice Pérez.: Retórica visual e intermedialidad en unos cosmogramas mayas de época virreinal
In this article, I study circular diagrams in the Codex Perez, a document compiled by Juan Pío Pérez during the first half of the 19th century, which included texts from different manuscripts known as the books of Chilam Balam. These images, which represent cosmograms, are studied from different poi...
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| Formato: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2019 |
| País: | México |
| Recursos: | UNIVERSIDAD NACIONAL AUTÓNOMA DE MÉXICO |
| Repositorio: | Anales del Instituto de Investigaciones Estéticas |
| Idioma: | español |
| OAI Identifier: | oai:ojs.atenea.esteticas.unam.mx:article/2665 |
| Acesso em linha: | https://www.analesiie.unam.mx/index.php/analesiie/article/view/2665 |
| Access Level: | acceso abierto |
| Palavra-chave: | Codex Perez Chilam Balam circular diagrams katun wheels visual rhetoric Códice Pérez diagramas circulares ruedas de katunes retórica visual intermedialidad |
| Resumo: | In this article, I study circular diagrams in the Codex Perez, a document compiled by Juan Pío Pérez during the first half of the 19th century, which included texts from different manuscripts known as the books of Chilam Balam. These images, which represent cosmograms, are studied from different points of view, placing particular emphasis on visual rhetoric as well as on the relationship between text and image. Following an individual examination of each image, questions regarding their origin and function are addressed. |
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