The New Spain Popular Music Theater. The Case of the One-Player Tonadilla a Los retratos yrónicos
In 18th century New Spain the tonadilla was one of the music theater genres most favored by audiences. Inventories of the Coliseo theater in Mexico City reveal the existence of a large number of musical pieces of this sort. Although the majority of them came from Spain, some were composed in New Spa...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2019 |
| País: | México |
| Institución: | UNIVERSIDAD NACIONAL AUTÓNOMA DE MÉXICO |
| Repositorio: | Estudios de Historia Novohispana |
| Idioma: | español |
| OAI Identifier: | oai:ojs.pkp.sfu.ca:article/64000 |
| Acceso en línea: | https://novohispana.historicas.unam.mx/index.php/ehn/article/view/64000 |
| Access Level: | acceso abierto |
| Palabra clave: | Mexican theater eighteenth century theater tonadilla short plays musical theater teatro mexicano teatro novohispano teatro del siglo XVIII teatro lírico géneros breves |
| Sumario: | In 18th century New Spain the tonadilla was one of the music theater genres most favored by audiences. Inventories of the Coliseo theater in Mexico City reveal the existence of a large number of musical pieces of this sort. Although the majority of them came from Spain, some were composed in New Spain as well. A transcription of the lyrics for Los retratos irónicos, a solo tonadilla of Mexican origin, is offered here. |
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