When Absence Occupies the Place of Presence: Marcel Duchamp’s Urinal
Duchamp's Fountain is maybe the most representative work in contemporary art. So it seems paradoxical that it hadn't ever been exposed. Since its very beginning it faces reject and disappearance. Reject by the traditional artistic judgment; disappearance as a new aesthetic strategy, lookin...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2015 |
| País: | México |
| Institución: | INSTITUTO TECNOLÓGICO Y DE ESTUDIOS SUPERIORES DE MONTERREY |
| Repositorio: | En-claves del pensamiento |
| Idioma: | español |
| OAI Identifier: | oai:ojs.enclavesdelpensamiento.mx:article/107 |
| Acceso en línea: | https://www.enclavesdelpensamiento.mx/index.php/enclaves/article/view/107 |
| Access Level: | acceso abierto |
| Palabra clave: | Arte contemporáneo desaparición rechazo Duchamp Urinario Contemporary art disappearance reject Fountain |
| Sumario: | Duchamp's Fountain is maybe the most representative work in contemporary art. So it seems paradoxical that it hadn't ever been exposed. Since its very beginning it faces reject and disappearance. Reject by the traditional artistic judgment; disappearance as a new aesthetic strategy, looking for survival and presence. Reject, as well as disappearance of the Fountain, are analyzed in this article as outstanding characteristics of the work in contemporary art. |
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