La virgen de Guadalupe en Guatemala: Los Juandiegos, las Marías y las indias bonitas. Práctica religiosa y subalternidad étnica

Through the study of the iinplementation and development of the cult of the Virgin of Guadalupe in Guatemala, we present an analysis of one of its most spectacular traits: the 200 year-old-custom of dressing nonindigenous children as "Indians", specially as "Juandiegos and Marios"...

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Detalles Bibliográficos
Autor: Taracena Arrióla, Arturo
Tipo de recurso: artículo
Estado:Versión publicada
Fecha de publicación:2015
País:México
Institución:UNIVERSIDAD NACIONAL AUTÓNOMA DE MÉXICO
Repositorio:Península
Idioma:español
OAI Identifier:oai:ojs.pkp.sfu.ca:article/44267
Acceso en línea:https://www.revistas.unam.mx/index.php/peninsula/article/view/44267
Access Level:acceso abierto
Palabra clave:Guatemala
Guadalupanismo
inter-ethnic relations
religiosity
ethnic and religious cross-dressing
relaciones interétnicas
religiosidad
trasvestismo étnico y religioso
Descripción
Sumario:Through the study of the iinplementation and development of the cult of the Virgin of Guadalupe in Guatemala, we present an analysis of one of its most spectacular traits: the 200 year-old-custom of dressing nonindigenous children as "Indians", specially as "Juandiegos and Marios", during the December 12 festivities. However, this tradition is not intended to assume the Other's identity, but to obtain the Virgins favor. This has led some to interpret this as anti native people act, in which people deliberately recreate certain dress and cosmetic styles to indicate that the children are "not Indians". Inspired by a beauty contest in México City at the beginnings of the 20th Century, that "transvestite tradition" would lead to a particular fashion of "pretty Indians" among the women who were involved in the festivities. Soon after they were censored by Church authorities because of the "mundane" character they brought to the religious festivity. Such fashion would then become a secularizíng process, which was characrerized by the re-appropriation of the festive world of the Guadalupe tradition by political satire, and also by the tisc of non-indigenous beauty queens wearing the «typical dress» as it was recovered by the State.