Eroticism and music in Areúsa in concerts, by Angelina Muñiz-Huberman

This paper analyzes the presence of music and eroticism in the novel Areúsa en los conciertos (Areúsa in concerts) (2001), by Angelina Muñiz-Huberman. From the names of the characters, Areúsa and Salomé, it is possible to see the correspondence between their actions and what they symbolically repres...

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Detalles Bibliográficos
Autor: Romano-Hurtado, Berenice
Tipo de recurso: artículo
Estado:Versión publicada
Fecha de publicación:2017
País:México
Institución:UNIVERSIDAD AUTÓNOMA DEL ESTADO DE MÉXICO
Repositorio:La Colmena
Idioma:español
OAI Identifier:oai:ojs.hemeroteca.uaemex.mx:article/5273
Acceso en línea:https://lacolmena.uaemex.mx/article/view/5273
Access Level:acceso abierto
Descripción
Sumario:This paper analyzes the presence of music and eroticism in the novel Areúsa en los conciertos (Areúsa in concerts) (2001), by Angelina Muñiz-Huberman. From the names of the characters, Areúsa and Salomé, it is possible to see the correspondence between their actions and what they symbolically represent, since each of them develop scenes of the feminine permeated by music and by the eroticism resulting from it. Special attention is paid to the construction of the characters as a receptacle of every women in history, and in the way this ancient consciousness allows them to develop as beings of art and eroticism, in harmony with the Universe.

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