La Exposición Internacional de Carteles de 1934 en la Ciudad de México y el desarrollo de un “estilo nacional”
This article focuses on the 1934 International Poster Exhibition that took place in Mexico City and other cities in the country. From the perspective of entangled history, it is argued that this exhibition gave an account of Mexico’s integration in graphic arts for didactic and propaganda purposes,...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | México |
| Institución: | UNIVERSIDAD NACIONAL AUTÓNOMA DE MÉXICO |
| Repositorio: | Anales del Instituto de Investigaciones Estéticas |
| Idioma: | español |
| OAI Identifier: | oai:ojs.atenea.esteticas.unam.mx:article/2786 |
| Acceso en línea: | https://www.analesiie.unam.mx/index.php/analesiie/article/view/2786 |
| Access Level: | acceso abierto |
| Palabra clave: | Exhibition poster Fernández Ledesma entangled history Mexico Exposición cartel historia conectada México |
| Sumario: | This article focuses on the 1934 International Poster Exhibition that took place in Mexico City and other cities in the country. From the perspective of entangled history, it is argued that this exhibition gave an account of Mexico’s integration in graphic arts for didactic and propaganda purposes, while leading to the mainstreaming of new styles, techniques, and contents in Mexican posters that would eventually have repercussions in artistical collectives such as the Liga de Escritoresy Artistas Revolucionarios and then the Taller de Gráfica Popular. Paying attention to iconographic, stylistic, and content transmissions of Soviet and Italian posters to Mexican iconography, it shows how the foreign avant-gardes were incorporated in the Mexican visual culture, in the process of defining a “national” style |
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