The critique on comic strips in Argentina in the sixties and seventies. Between semiotics and “popular culture” studies
This article analyzes a series of works on comic strips made in Argentina in the sixties and seventies, reviewing various concepts and means of addressing the genre within the framework of the emerging studies on massive media. Its conclusion refutes the perspectives that have considered that commun...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2016 |
| País: | México |
| Institución: | UNIVERSIDAD DE GUADALAJARA |
| Repositorio: | Comunicación y Sociedad |
| Idioma: | español |
| OAI Identifier: | oai:comunicacionysociedad.cucsh.udg.mx:article/5438 |
| Acceso en línea: | https://www.comunicacionysociedad.cucsh.udg.mx/index.php/comsoc/article/view/5438 |
| Access Level: | acceso abierto |
| Palabra clave: | Comic strip critique communication semiology culture studies historieta crítica comunicación semiología estudios de la cultura |
| Sumario: | This article analyzes a series of works on comic strips made in Argentina in the sixties and seventies, reviewing various concepts and means of addressing the genre within the framework of the emerging studies on massive media. Its conclusion refutes the perspectives that have considered that communications studies of this period are solely based on functionalist models and manipulation theories. |
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