Listening to Survive: Reappropriation of the Andalusian Copla in Franco´s Dictatorship Radio.
This text introduces an analysis of the various strategies developed by the audience as a reappropriation of the radio programming during the Franco´s dictatorship in Spain (1939-1975). The copla gender is considered to be the backbone of a national unity idea promoted by the regime through the ente...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2024 |
| País: | México |
| Institución: | UNIVERSIDAD AUTÓNOMA DEL ESTADO DE HIDALGO |
| Repositorio: | MAGOTZI Boletín Científico de Artes del IA |
| Idioma: | español |
| OAI Identifier: | oai:repository.uaeh.edu.mx:article/11874 |
| Acceso en línea: | https://repository.uaeh.edu.mx/revistas/index.php/ia/article/view/11874 |
| Access Level: | acceso abierto |
| Palabra clave: | Anthropology Andalusia copla Franco´s dictatorship radio Antropología Andalucía Copla Franquismo Radio |
| Sumario: | This text introduces an analysis of the various strategies developed by the audience as a reappropriation of the radio programming during the Franco´s dictatorship in Spain (1939-1975). The copla gender is considered to be the backbone of a national unity idea promoted by the regime through the entertainment industry. The title highlights the main interest for the work and approach developed by Stephanie Sieburth in Coplas para sobrevivir. Conchita Piquer, los vencidos y la represión franquista (2016), with the particularity of considering copla as a genuine Andalusian expression that needs to be understood from their own context. |
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