Another look at love and pleasure in the Tragicomedia de Calisto y Melibea
Without discarding altogether readings taht emphasize the moralizing aspects of the work, in this article I intend to explore the plausibility of privileging pleasure, rather than morality, as the principal purpose of the Tragicomedia. To do so, I turn to the ambiguous texts of naturalist erotology,...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2021 |
| País: | México |
| Institución: | EL COLEGIO DE MÉXICO |
| Repositorio: | Nueva revista de Filología Hispánica |
| Idioma: | español |
| OAI Identifier: | oai:oai.nrfh.colmex.mx:article/3756 |
| Acceso en línea: | https://nrfh.colmex.mx/index.php/nrfh/article/view/3756 |
| Access Level: | acceso abierto |
| Palabra clave: | love, eroticism, naturalism, Tragicomedia de Calisto y Melibea, el Tostado amor, erotismo, naturalismo, |
| Sumario: | Without discarding altogether readings taht emphasize the moralizing aspects of the work, in this article I intend to explore the plausibility of privileging pleasure, rather than morality, as the principal purpose of the Tragicomedia. To do so, I turn to the ambiguous texts of naturalist erotology, according to which love is a natural and ineluctable force that always cancels out reason, being itself a source of great delight. A careful reading of these related texts obliges us to relativize any reading of Celestina. |
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