Rethinking relationship between decoloniality and hegemony
The present study holds that in order to transform decolonization in a social practice that is historically emancipating, it should be articulated with the construction of counter-hegemony that starts from the recognition of the inextinguishable socio-cultural plurality and the ineluctable possibili...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2021 |
| País: | México |
| Institución: | Universidad Autónoma de Ciudad Juárez |
| Repositorio: | Repositorio Institucional de la Universidad Autónoma de Ciudad Juárez |
| Idioma: | español |
| OAI Identifier: | oai:uacj.mx:oai:oai:erevistas.uacj.mx:article-660 |
| Acceso en línea: | http://erevistas.uacj.mx/ojs/index.php/noesis/article/view/660 |
| Access Level: | acceso abierto |
| Palabra clave: | Decoloniality translation counterhegemony historical-concrete universals agonistic democracy Decolonialidad traducción contrahegemonía universales histórico-concretos democracia agonística CIENCIAS SOCIALES info:eu-repo/classification/cti/5 |
| Sumario: | The present study holds that in order to transform decolonization in a social practice that is historically emancipating, it should be articulated with the construction of counter-hegemony that starts from the recognition of the inextinguishable socio-cultural plurality and the ineluctable possibility of difference and political conflict, and therefore recognition of the impossibility of building full and abstract universal orders. The construction of counter-hegemony is possible through the translation operation proposed by Santos, that assumes the identification and increase of which this author denominates the contact zones. Santos’ counter-hegemony proposal may be enhanced applying Laclau’s theory in order to reflect in a more consistent way the political-epistemic articulation work, that is not just translation but the construction of a democratic and agonistic hegemony, following Chantal Mouffe that inevitably entrails the production of historical-concrete universals. |
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