Autobiografías que son de varios: un poema autobiográfico de Octavio Paz, con William Wordsworth de Figurante
This article examines the importance of William Wordsworth’s The prelude for the composition of Octavio Paz’s Pasado en claro. It approaches the two autobiographical poems in relation to the linguistic theories of each author. In more concrete terms, it analyces the diverse effects, on the one hand,...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2024 |
| País: | México |
| Institución: | EL COLEGIO DE MÉXICO |
| Repositorio: | Nueva revista de Filología Hispánica |
| Idioma: | español |
| OAI Identifier: | oai:oai.nrfh.colmex.mx:article/3958 |
| Acceso en línea: | https://nrfh.colmex.mx/index.php/nrfh/article/view/3958 |
| Access Level: | acceso abierto |
| Palabra clave: | Octavio Paz William Wordsworth autobiographical poetry historical poetry 20th century Mexican poetry poesía autobiográfica poesía histórica poesía mexicana del siglo xx |
| Sumario: | This article examines the importance of William Wordsworth’s The prelude for the composition of Octavio Paz’s Pasado en claro. It approaches the two autobiographical poems in relation to the linguistic theories of each author. In more concrete terms, it analyces the diverse effects, on the one hand, of thedoctrine of association and synesthesia for Wordsworth’s poem and, on the other, of the influence of structuralism and its off-shoots on Paz’s poem. Constant reference to, and contrast with William Wordsworth helps usto see Paz’s poetical autobiographies as a point of convergence and divergence between the individual and the political, the intimate and the historical. |
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