Ígor Stravinski en México (1940-1961). Recepción e influencia en los músicos españoles del exilio: el caso de Jesús Bal y Gay
The present article analyses the reception in Mexico of the Russian composer Igor Stravinsky between 1940-1961—the dates of his first and his last tours in this country—on the basis of his influence on Spanish musicians in exile, with special attention to musicologist and compos-er Jesús Bal y Gay,...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2021 |
| País: | México |
| Institución: | UNIVERSIDAD NACIONAL AUTÓNOMA DE MÉXICO |
| Repositorio: | Anales del Instituto de Investigaciones Estéticas |
| Idioma: | español |
| OAI Identifier: | oai:ojs.atenea.esteticas.unam.mx:article/2741 |
| Acceso en línea: | https://www.analesiie.unam.mx/index.php/analesiie/article/view/2741 |
| Access Level: | acceso abierto |
| Palabra clave: | Ígor Stravinsky Jesús Bal y Gay Mexico music communication identity exile Ígor Stravinski México música comunicación identidad exilio |
| Sumario: | The present article analyses the reception in Mexico of the Russian composer Igor Stravinsky between 1940-1961—the dates of his first and his last tours in this country—on the basis of his influence on Spanish musicians in exile, with special attention to musicologist and compos-er Jesús Bal y Gay, exiled in Mexico between 1939 and 1965. The arti-cle examines, first of all, Stravinsky’s first tours in Mexico, and also his links with Bal y Gay from the diaries of Vera Stravinsky and Robert Craft, among other sources. Secondly, it analyzes the presence of the Russian composer in the writings of the Spanish musicologist, valuing the role of Bal y Gay as a diffuser of Stravinsky’s musical and literary work in the Hispano-American scene. |
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