| Sumario: | This article analyzes the scope of the artistic projects, “La ciudad como texto”. Initiative that collect as an archive, the graphic production developed in the context of the social outbreak that occurred in Chile, between the months of October 2019 and march 2020. We seek to expose how the use of transmediality, move the path of the street, recording anonymous creations in the digital space, with the aim of safeguarding the aesthetic flow developed in the fervor of the protest. We show how the concept of Palimpsest (Genette) undergoes an update through a multiplatform approach, in which the different layers of messages that are superimposed in the public space —walls, bus-stops, houses, etc.—, are now transferred to cyberspace with the aim of protecting itself, both from the passage of time and from censorship.
|
|---|
