PROPAGANDA MIGRATORIA VERSUS FRITTA CARO: UN CONTRAPUNTO
This article uses the perspective of Fritta Caro to explore the possibilities of disarming the propaganda of Canadian migration institutions. Caro is a fictitious character created by Helena Martín Franco, a Colombian visual artist established in Montreal. The author contrasts the Martín Franco’s pe...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2019 |
| País: | México |
| Institución: | INSTITUTO PANAMERICANO DE GEOGRAFÍA E HISTORIA |
| Repositorio: | Antropología Americana |
| Idioma: | español |
| OAI Identifier: | oai:revistasipgh.org:article/103 |
| Acceso en línea: | https://revistasipgh.org/index.php/anam/article/view/103 |
| Access Level: | acceso abierto |
| Palabra clave: | diásporas latinoamericanas Canada propaganda multiculturalismo disonancia Latin Americana multiculturalism dissonance |
| Sumario: | This article uses the perspective of Fritta Caro to explore the possibilities of disarming the propaganda of Canadian migration institutions. Caro is a fictitious character created by Helena Martín Franco, a Colombian visual artist established in Montreal. The author contrasts the Martín Franco’s performances and discourses with an example of Canadian migratory propaganda. In opposing such contents, the author establishes a dissonant relationship, from which items of information that are incompatible with one another emerge, and concludes that these may offer possibilities to disarm the propaganda of the Canadian migratory institutions. |
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