El impacto de la obra de Miguel Covarrubias en los artistas de Shangai
The Island of Bali, by Miguel Covarrubias, has remained one of the definitive treatments of the subject since its original publication in 1937. The book’s facility with words is matched by elegance of drawing. The book was also composed in a colonial context, written by a Mexican who was part of a E...
| Autor: | |
|---|---|
| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2020 |
| País: | México |
| Institución: | UNIVERSIDAD NACIONAL AUTÓNOMA DE MÉXICO |
| Repositorio: | Anales del Instituto de Investigaciones Estéticas |
| Idioma: | inglés español |
| OAI Identifier: | oai:ojs.atenea.esteticas.unam.mx:article/2703 |
| Acceso en línea: | https://www.analesiie.unam.mx/index.php/analesiie/article/view/2703 |
| Access Level: | acceso abierto |
| Palabra clave: | China Shangai Shao Xunmei Vanity Fair Covarrubias caricature caricatura |
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El impacto de la obra de Miguel Covarrubias en los artistas de ShangaiThe Impact of the Work of Miguel Covarrubias on the Artists of ShangaiBevan, PaulChinaShangaiShao XunmeiVanity FairCovarrubiascaricatureCovarrubiasChinaShangaiShao XunmeiVanity FaircaricaturaThe Island of Bali, by Miguel Covarrubias, has remained one of the definitive treatments of the subject since its original publication in 1937. The book’s facility with words is matched by elegance of drawing. The book was also composed in a colonial context, written by a Mexican who was part of a Euro-American group of cosmopoli-tan intellectuals and artists. Miguel Covarrubias has been attacked as an orientalist, and praised as a trans-Pacific visionary. His encounter with Bali was especially an encounter with Balinese art, especially the new form of modernism emerging in the 1930s. Covarrubias’s interests in magic coincided with Balinese preoccupations with spiritual forces, something he pursued with his study of Balinese texts. For Covarrubias, art was a vehicle for achieving liberation. Despite heavy outside editorial intervention, Island of Bali advances a global view of connections between societies through art. La isla de Bali de Miguel Covarrubias se ha mantenido como uno de los tratamientos más consolidados acerca del tema, desde su publicación original en 1937. La facilidad que tiene el libro con las palabras se iguala con la elegancia del dibujo. El libro se hizo en un contexto colonial, escrito por un mexicano que a su vez era parte de un grupo euro americano de intelectuales y artistas cosmopolitas. A Miguel Covarrubias se le ha criticado por “orientalista” y se le ha elogiado como un visionario transpacífico. El encuentro de Covarrubias con Bali fue especialmente un encuentro con el arte balinés, en específico con una nueva forma de modernismo que emergió en los años treinta. El interés de Covarrubias por la magia coincidió con las preocupaciones balinesas por las fuerzas espirituales, algo que Covarrubias buscó con su estudio de los textos balineses. Para Covarrubias, el arte era un vehículo para lograr una liberación. A pesar de haber tenido una fuerte intervención editorial externa, La isla de Bali adelantó una visión global de las conexiones entre sociedades a través del arte.Instituto de Investigaciones Estéticas2020-03-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdftext/xmlhttps://www.analesiie.unam.mx/index.php/analesiie/article/view/270310.22201/iie.18703062e.2019.mono1.2703Anales del Instituto de Investigaciones Estéticas; Suplemento 116-1/2020; 17-49Anales del Instituto de Investigaciones Estéticas; Suplemento 116-1/2020; 17-491870-30620185-127610.22201/iie.18703062e.2020.Suplementoreponame:Anales del Instituto de Investigaciones Estéticasinstname:UNIVERSIDAD NACIONAL AUTÓNOMA DE MÉXICOinstacron:UNAMengspahttps://www.analesiie.unam.mx/index.php/analesiie/article/view/2703/3481https://www.analesiie.unam.mx/index.php/analesiie/article/view/2703/3545info:eu-repo/semantics/openAccessoai:ojs.atenea.esteticas.unam.mx:article/27032024-08-28T16:21:09Z |
| dc.title.none.fl_str_mv |
El impacto de la obra de Miguel Covarrubias en los artistas de Shangai The Impact of the Work of Miguel Covarrubias on the Artists of Shangai |
| title |
El impacto de la obra de Miguel Covarrubias en los artistas de Shangai |
| spellingShingle |
El impacto de la obra de Miguel Covarrubias en los artistas de Shangai Bevan, Paul China Shangai Shao Xunmei Vanity Fair Covarrubias caricature Covarrubias China Shangai Shao Xunmei Vanity Fair caricatura |
| title_short |
El impacto de la obra de Miguel Covarrubias en los artistas de Shangai |
| title_full |
El impacto de la obra de Miguel Covarrubias en los artistas de Shangai |
| title_fullStr |
El impacto de la obra de Miguel Covarrubias en los artistas de Shangai |
| title_full_unstemmed |
El impacto de la obra de Miguel Covarrubias en los artistas de Shangai |
| title_sort |
El impacto de la obra de Miguel Covarrubias en los artistas de Shangai |
| dc.creator.none.fl_str_mv |
Bevan, Paul |
| author |
Bevan, Paul |
| author_facet |
Bevan, Paul |
| author_role |
author |
| dc.subject.none.fl_str_mv |
China Shangai Shao Xunmei Vanity Fair Covarrubias caricature Covarrubias China Shangai Shao Xunmei Vanity Fair caricatura |
| topic |
China Shangai Shao Xunmei Vanity Fair Covarrubias caricature Covarrubias China Shangai Shao Xunmei Vanity Fair caricatura |
| description |
The Island of Bali, by Miguel Covarrubias, has remained one of the definitive treatments of the subject since its original publication in 1937. The book’s facility with words is matched by elegance of drawing. The book was also composed in a colonial context, written by a Mexican who was part of a Euro-American group of cosmopoli-tan intellectuals and artists. Miguel Covarrubias has been attacked as an orientalist, and praised as a trans-Pacific visionary. His encounter with Bali was especially an encounter with Balinese art, especially the new form of modernism emerging in the 1930s. Covarrubias’s interests in magic coincided with Balinese preoccupations with spiritual forces, something he pursued with his study of Balinese texts. For Covarrubias, art was a vehicle for achieving liberation. Despite heavy outside editorial intervention, Island of Bali advances a global view of connections between societies through art. |
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2020 |
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2020-03-06 |
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info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
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article |
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https://www.analesiie.unam.mx/index.php/analesiie/article/view/2703 10.22201/iie.18703062e.2019.mono1.2703 |
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https://www.analesiie.unam.mx/index.php/analesiie/article/view/2703 |
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10.22201/iie.18703062e.2019.mono1.2703 |
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eng spa |
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eng spa |
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https://www.analesiie.unam.mx/index.php/analesiie/article/view/2703/3481 https://www.analesiie.unam.mx/index.php/analesiie/article/view/2703/3545 |
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application/pdf text/xml |
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Instituto de Investigaciones Estéticas |
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Instituto de Investigaciones Estéticas |
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Anales del Instituto de Investigaciones Estéticas; Suplemento 116-1/2020; 17-49 Anales del Instituto de Investigaciones Estéticas; Suplemento 116-1/2020; 17-49 1870-3062 0185-1276 10.22201/iie.18703062e.2020.Suplemento reponame:Anales del Instituto de Investigaciones Estéticas instname:UNIVERSIDAD NACIONAL AUTÓNOMA DE MÉXICO instacron:UNAM |
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