Los trotes de la memoria: experiencias de la temporalidad en torno a la estatua ecuestre de Carlos IV, El Caballito
In order to identify current experiences of time, this article considers the debate concerning the equestrian statue of Charles IV, better known as El Caballito, in the aftermath of its 2013 disastrous attempt at restoration. The classification of heritage values, as proposed by Alois Riegl, serves...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2024 |
| País: | México |
| Institución: | UNIVERSIDAD NACIONAL AUTÓNOMA DE MÉXICO |
| Repositorio: | Anales del Instituto de Investigaciones Estéticas |
| Idioma: | español |
| OAI Identifier: | oai:ojs.atenea.esteticas.unam.mx:article/2854 |
| Acceso en línea: | https://www.analesiie.unam.mx/index.php/analesiie/article/view/2854 |
| Access Level: | acceso abierto |
| Palabra clave: | Equestrian statue of Charles IV; memory; temporality; presentism Equestrian statue of Charles IV memory temporality presentism Estatua ecuestre de Carlos IV memoria temporalidad presentismo |
| Sumario: | In order to identify current experiences of time, this article considers the debate concerning the equestrian statue of Charles IV, better known as El Caballito, in the aftermath of its 2013 disastrous attempt at restoration. The classification of heritage values, as proposed by Alois Riegl, serves as a tool to understand a conflict that involved different conceptions of tradition and identity. I claim that the different ways in which the statue was preserved and restored during a few key moments in the nineteenth, twentieth and twenty-first Centuries reveals central features of our relation to time and the transformations that lead to today’s regime of historicity. |
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