Mexican and Cuban Composers in New York City circa 1880-1920

Cuban musicians active in New  York in the 1860s through the 1890s such as Ignacio Cervantes, Emilio Agramonte, and Rosalia Chalia assisted in the struggle for Cuban independence from Spain from the vantage point of New York's Cuban émigré community, and they also established  a strong  presenc...

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Detalles Bibliográficos
Autor: Koegel, John
Tipo de recurso: artículo
Estado:Versión publicada
Fecha de publicación:2006
País:México
Institución:EL COLEGIO DE MÉXICO
Repositorio:Historia Mexicana
Idioma:español
OAI Identifier:oai:oai.historiamexicana.colmex.mx:article/1569
Acceso en línea:https://historiamexicana.colmex.mx/index.php/RHM/article/view/1569
Access Level:acceso abierto
Palabra clave:New York
Cuban independence
musica
Mexican Revolution
art
20th Century
Nueva York
independencia de Cuba
música
Revolución mexicana
arte
siglo XX
Descripción
Sumario:Cuban musicians active in New  York in the 1860s through the 1890s such as Ignacio Cervantes, Emilio Agramonte, and Rosalia Chalia assisted in the struggle for Cuban independence from Spain from the vantage point of New York's Cuban émigré community, and they also established  a strong  presence in the city's musical life.  Important Mexican musicians such as Miguel Lerdo  de Tejada and Carlos Curti intermittently visited New York or were long-term residents there. This was especially true during the late- nineteenth century, when the forced political stability during the Porfiriato made possible the extended visits of Mexican musicians and ensembles to North American cities such as New York. The Mexican Revolution also sent Mexican musicians to the United States in search of political freedom as well as economic and artistic opportunities that were temporarily closed to them in Mexico.