Ubicuidad, obra de arte y reproducción múltiple
The present lecture is the result of the articulation between theoretical researches done by Miguel Ledezma and the production of an artwork by Eric Reyes-Lamothe. The main goals are the analysis of the characteristics of contemporary art infiltrated in reproduction and mass media, likewise the expl...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2012 |
| País: | México |
| Institución: | UNIVERSIDAD AUTÓNOMA DEL ESTADO DE HIDALGO |
| Repositorio: | MAGOTZI Boletín Científico de Artes del IA |
| Idioma: | español |
| OAI Identifier: | oai:repository.uaeh.edu.mx:article/590 |
| Acceso en línea: | https://repository.uaeh.edu.mx/revistas/index.php/ia/article/view/590 |
| Access Level: | acceso abierto |
| Palabra clave: | ubiquity and art, contemporary art, art and context. arte y ubicuidad, arte contemporáneo, arte y contexto. |
| Sumario: | The present lecture is the result of the articulation between theoretical researches done by Miguel Ledezma and the production of an artwork by Eric Reyes-Lamothe. The main goals are the analysis of the characteristics of contemporary art infiltrated in reproduction and mass media, likewise the exploration of the possibilities of artistic production outside the Museums and Galleries context, using the concept of ubiquity, which implies the potential ability of being everywhere at the same time |
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