Traits of Historical Cinema. Reflection from Colombian Cinema
Characterization of historical cinema from a sample of full-length feature films made in Colombia and through theoretical approaches to Ricoeur, Rosenstone, the Annales School, and others. In contrast to written history, it must be acknowledged that cinema is not a reconstruction of events, but emot...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2017 |
| País: | México |
| Institución: | UNIVERSIDAD DE GUADALAJARA |
| Repositorio: | Comunicación y Sociedad |
| Idioma: | español inglés |
| OAI Identifier: | oai:comunicacionysociedad.cucsh.udg.mx:article/6577 |
| Acceso en línea: | https://www.comunicacionysociedad.cucsh.udg.mx/index.php/comsoc/article/view/6577 |
| Access Level: | acceso abierto |
| Palabra clave: | Cinema History Narration Fiction Discourse Cine historia narración ficción discurso |
| Sumario: | Characterization of historical cinema from a sample of full-length feature films made in Colombia and through theoretical approaches to Ricoeur, Rosenstone, the Annales School, and others. In contrast to written history, it must be acknowledged that cinema is not a reconstruction of events, but emotional discourse that communicates that narrated, as well as the filmmaker’s way of conceiving the world and the society in which the cinematography work emerges. |
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