Throw away your books, rally in the streets: Yoshimoto Takaaki’s taishū concept and the film-making of Terayama Shuji
A knowledge of an ideology’s artistic aspect facilitates the understanding of its theory, and vice versa. This article makes a com-parative analysis of the film-making of Terayama Shūji, specifically Sho o suteyo machi e deyō [Throw away your books, rally in the streets], and Yoshimoto Takaaki’s the...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2018 |
| País: | México |
| Institución: | EL COLEGIO DE MÉXICO |
| Repositorio: | Estudios de Asia y África |
| Idioma: | español |
| OAI Identifier: | oai:oai.estudiosdeasiayafrica.colmex.mx:article/2376 |
| Acceso en línea: | https://estudiosdeasiayafrica.colmex.mx/index.php/eaa/article/view/2376 |
| Access Level: | acceso abierto |
| Palabra clave: | Japanese cinema ideology New Left Terayama Shuji Yoshimoto Takaaki cine japones ideologia Nueva Izquierda |
| Sumario: | A knowledge of an ideology’s artistic aspect facilitates the understanding of its theory, and vice versa. This article makes a com-parative analysis of the film-making of Terayama Shūji, specifically Sho o suteyo machi e deyō [Throw away your books, rally in the streets], and Yoshimoto Takaaki’s theory of taishū, both as components of the Japanese New Left’s ideology of the late 1960s and early 1970s. Specifically, I focus on the parallels between Terayama’s films and Yoshimoto’s theory in their view of the relationship between the intellectual and the masses. I develop this comparative analysis on the basis that, even though both Yoshimoto and Terayama criticize ideology, their proposals contain a strong political component. |
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