Intertextuality as a neo-baroque resource in El hombre, la hembra y el hambre [Man, female and hunger] by Daína Chaviano
On the basis of postulates by Severo Sarduy, Alejo Carpentier, José Lezama Lima, Omar Calabrese, Mijaíl Bajtín and Julia Kristeva, intertextuality as a neobaroque resource is analyzed in El hombre, la hembra y el hambre [Man, female and hunger] (1998) by Cuban writer Daína Chaviano. By means of a th...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2019 |
| País: | México |
| Institución: | UNIVERSIDAD AUTÓNOMA DEL ESTADO DE MÉXICO |
| Repositorio: | La Colmena |
| Idioma: | español |
| OAI Identifier: | oai:ojs.hemeroteca.uaemex.mx:article/11142 |
| Acceso en línea: | https://lacolmena.uaemex.mx/article/view/11142 |
| Access Level: | acceso abierto |
| Sumario: | On the basis of postulates by Severo Sarduy, Alejo Carpentier, José Lezama Lima, Omar Calabrese, Mijaíl Bajtín and Julia Kristeva, intertextuality as a neobaroque resource is analyzed in El hombre, la hembra y el hambre [Man, female and hunger] (1998) by Cuban writer Daína Chaviano. By means of a thorough reading, a comparative study is made between Claudia —protagonist of this literary work—, Papillon and McMurphy — characters of the films Papillon (1973) and One Flew over the Cuckoo’s Nest (1975), respectively—. Finally, imagination and the recovery of the historical past are proposed as a road for the individual’s freedom and the peoples' identity construction. |
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