Opening and innovation in the sonnet written in spanish: Javier Sologuren´s Catorce versos dicen…
In 1987, the important Peruvian poet Javier Sologuren (Lima, 1921-2004) published Catorce versos dicen…, a set of sonnets that differed from the colloquial poetry that was hegemonic at the time, in attempt to show that the sonnet was a valid form in which to deploy modern poetic procedures and to co...
| Autor: | |
|---|---|
| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2023 |
| País: | México |
| Institución: | EL COLEGIO DE MÉXICO |
| Repositorio: | Nueva revista de Filología Hispánica |
| Idioma: | español |
| OAI Identifier: | oai:oai.nrfh.colmex.mx:article/3877 |
| Acceso en línea: | https://nrfh.colmex.mx/index.php/nrfh/article/view/3877 |
| Access Level: | acceso abierto |
| Palabra clave: | Javier Sologuren sonnet. paradox Peruvian poetry Spanish Golden Age soneto paradoja poesía peruana Siglo de Oro español |
| Sumario: | In 1987, the important Peruvian poet Javier Sologuren (Lima, 1921-2004) published Catorce versos dicen…, a set of sonnets that differed from the colloquial poetry that was hegemonic at the time, in attempt to show that the sonnet was a valid form in which to deploy modern poetic procedures and to communicate his experience as a contemporary poet. This article examines how Sologuren updates the sonnet, freeing it from the thematic and formal conventions inherited from Golden Age Spanish poetry, and turning baroque paradox and the structural closure of the sonnet into polysemy. |
|---|