Teotihuacan y Bonampak. Relaciones más allá del tiempo y la distancia

For many decades the various Meso-American cultures have been studied as specific entities within precise geographical and temporal limits, communication between the different cultures being a fairly recent area of study. The present article deals with the relations between two such cultures: Teotih...

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Detalles Bibliográficos
Autor: Uriarte, María Teresa
Tipo de recurso: artículo
Estado:Versión publicada
Fecha de publicación:2012
País:México
Institución:UNIVERSIDAD NACIONAL AUTÓNOMA DE MÉXICO
Repositorio:Anales del Instituto de Investigaciones Estéticas
Idioma:español
OAI Identifier:oai:ojs.atenea.esteticas.unam.mx:article/2187
Acceso en línea:https://www.analesiie.unam.mx/index.php/analesiie/article/view/2187
Access Level:acceso abierto
Palabra clave:Arte prehispánico
Descripción
Sumario:For many decades the various Meso-American cultures have been studied as specific entities within precise geographical and temporal limits, communication between the different cultures being a fairly recent area of study. The present article deals with the relations between two such cultures: Teotihuacán and the Maya (the latter being represented by the particular case of the city of Bonampak). The article presents a hypothesis suggested by certain ritual practices (especially the ball game), and the different iconographic elements associated with representations of such practices: these include the water-lily flower at Bonampak, symbolizing the aquatic world, and the face of Tláloc at Teotihuacán which is also found in numerous images from the central Maya zone as a symbol of nobility and prestige. The author also detects the presence at Bonampak of the Maya sign known as puh, which is associated with the same rituals; through a study of the diffusion of this symbol, she explores the temporal and calendar-related significance of the ritual practices connected with the ball game.