Saint Eugenia Outside-Inside-Outside Rome: An Iconographic Continuity?

This essay deals with the iconography of Saint Eugenia demonstrating both the continuity and the development of her visual characteristics as a martyr, with special emphasis on the area of Rome, Italy. Her cult contributed to the promotion and multiplication of her imagery in Rome and northern Italy...

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Detalles Bibliográficos
Autor: Znorovszky, Andrea-Bianka
Tipo de recurso: capítulo de libro
Estado:Versión publicada
Fecha de publicación:2019
País:España
Institución:Universidad Pontificia Comillas ICAI-ICADE
Repositorio:Repositori Obert UdL
OAI Identifier:oai:repositori.udl.cat:10459.1/469281
Acceso en línea:https://doi.org/10.22618/TP.HAA.20193
https://hdl.handle.net/10459.1/469281
Access Level:acceso abierto
Palabra clave:Saint Eugenia of Rome
Cross-dressing
Iconography
Martyrdom
Frescoes
Relics
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spelling Saint Eugenia Outside-Inside-Outside Rome: An Iconographic Continuity?Znorovszky, Andrea-BiankaSaint Eugenia of RomeCross-dressingIconographyMartyrdomFrescoesRelicsThis essay deals with the iconography of Saint Eugenia demonstrating both the continuity and the development of her visual characteristics as a martyr, with special emphasis on the area of Rome, Italy. Her cult contributed to the promotion and multiplication of her imagery in Rome and northern Italy. Thus, Eugenia’s iconography from Ravenna becomes a starting point for the reconstruction of her early sixth-seventh-century depictions in Rome. This research concludes that although this holy woman belongs to the group of cross-dressed saints, Saint Eugenia is (visually and textually) constructed as a woman due to her positioning into groups of female saints.Trivent2019info:eu-repo/semantics/bookPartinfo:eu-repo/semantics/publishedVersionhttps://doi.org/10.22618/TP.HAA.20193https://hdl.handle.net/10459.1/469281reponame:Repositori Obert UdL instname:Universidad Pontificia Comillas ICAI-ICADEInglésReproducció del document publicat a https://doi.org/10.22618/TP.HAA.20193Ambiguous Women in Medieval Art / Mónica Ann Walker Vadillo (ed.). Budapest : Trivent, 2019, p. 119-145. ISBN: 9786158122214cc-by-nc-nd (c) Trivent, 2019Attribution-NonCommercial-NoDerivatives 4.0 Internationalinfo:eu-repo/semantics/openAccesshttp://creativecommons.org/licenses/by-nc-nd/4.0/oai:repositori.udl.cat:10459.1/4692812026-06-24T12:42:17Z
dc.title.none.fl_str_mv Saint Eugenia Outside-Inside-Outside Rome: An Iconographic Continuity?
title Saint Eugenia Outside-Inside-Outside Rome: An Iconographic Continuity?
spellingShingle Saint Eugenia Outside-Inside-Outside Rome: An Iconographic Continuity?
Znorovszky, Andrea-Bianka
Saint Eugenia of Rome
Cross-dressing
Iconography
Martyrdom
Frescoes
Relics
title_short Saint Eugenia Outside-Inside-Outside Rome: An Iconographic Continuity?
title_full Saint Eugenia Outside-Inside-Outside Rome: An Iconographic Continuity?
title_fullStr Saint Eugenia Outside-Inside-Outside Rome: An Iconographic Continuity?
title_full_unstemmed Saint Eugenia Outside-Inside-Outside Rome: An Iconographic Continuity?
title_sort Saint Eugenia Outside-Inside-Outside Rome: An Iconographic Continuity?
dc.creator.none.fl_str_mv Znorovszky, Andrea-Bianka
author Znorovszky, Andrea-Bianka
author_facet Znorovszky, Andrea-Bianka
author_role author
dc.subject.none.fl_str_mv Saint Eugenia of Rome
Cross-dressing
Iconography
Martyrdom
Frescoes
Relics
topic Saint Eugenia of Rome
Cross-dressing
Iconography
Martyrdom
Frescoes
Relics
description This essay deals with the iconography of Saint Eugenia demonstrating both the continuity and the development of her visual characteristics as a martyr, with special emphasis on the area of Rome, Italy. Her cult contributed to the promotion and multiplication of her imagery in Rome and northern Italy. Thus, Eugenia’s iconography from Ravenna becomes a starting point for the reconstruction of her early sixth-seventh-century depictions in Rome. This research concludes that although this holy woman belongs to the group of cross-dressed saints, Saint Eugenia is (visually and textually) constructed as a woman due to her positioning into groups of female saints.
publishDate 2019
dc.date.none.fl_str_mv 2019
dc.type.none.fl_str_mv info:eu-repo/semantics/bookPart
info:eu-repo/semantics/publishedVersion
format bookPart
status_str publishedVersion
dc.identifier.none.fl_str_mv https://doi.org/10.22618/TP.HAA.20193
https://hdl.handle.net/10459.1/469281
url https://doi.org/10.22618/TP.HAA.20193
https://hdl.handle.net/10459.1/469281
dc.language.none.fl_str_mv Inglés
language_invalid_str_mv Inglés
dc.relation.none.fl_str_mv Reproducció del document publicat a https://doi.org/10.22618/TP.HAA.20193
Ambiguous Women in Medieval Art / Mónica Ann Walker Vadillo (ed.). Budapest : Trivent, 2019, p. 119-145. ISBN: 9786158122214
dc.rights.none.fl_str_mv cc-by-nc-nd (c) Trivent, 2019
Attribution-NonCommercial-NoDerivatives 4.0 International
info:eu-repo/semantics/openAccess
http://creativecommons.org/licenses/by-nc-nd/4.0/
rights_invalid_str_mv cc-by-nc-nd (c) Trivent, 2019
Attribution-NonCommercial-NoDerivatives 4.0 International
http://creativecommons.org/licenses/by-nc-nd/4.0/
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Trivent
publisher.none.fl_str_mv Trivent
dc.source.none.fl_str_mv reponame:Repositori Obert UdL
instname:Universidad Pontificia Comillas ICAI-ICADE
instname_str Universidad Pontificia Comillas ICAI-ICADE
reponame_str Repositori Obert UdL
collection Repositori Obert UdL
repository.name.fl_str_mv
repository.mail.fl_str_mv
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