Cadáver exquisito en acción. Una experiencia artística colaborativa, intermedia y a distancia

[EN] This article shows as an object of study a collaborative and experimental experience that, through a participatory action-research methodology, takes the surrealist strategy of "exquisite corpse" to be applied to action art. This strategy has made it possible to explore variou...

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Detalles Bibliográficos
Autores: Torrecilla Patiño, María Elia, Sánchez Arenas, Bibiana Soledad, Vila Moscardó, David
Tipo de recurso: artículo
Fecha de publicación:2023
País:España
Institución:Universitat Politècnica de València (UPV)
Repositorio:RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia
Idioma:español
OAI Identifier:oai:riunet.upv.es:10251/192061
Acceso en línea:https://riunet.upv.es/handle/10251/192061
Access Level:acceso abierto
Palabra clave:Performance
Collaborative art
Interdisciplinary
Videoart
Technology
Arte colaborativo
Interdisciplinar
Videoarte
Cadáver exquisito
Descripción
Sumario:[EN] This article shows as an object of study a collaborative and experimental experience that, through a participatory action-research methodology, takes the surrealist strategy of "exquisite corpse" to be applied to action art. This strategy has made it possible to explore various creative group paths in our most immediate environment, which is where we act through our bodies. We practice the local while keeping the global in mind, especially due to the complex social context such as the one traversed by the Covid-19 pandemic in which this experience unfolds, notably marking the entire process, in which the use of technology. The main contribution is the use of a methodology based on action art, through which it has been possible to observe how technology and collaborative work have led to hybrid results that find influences not only in the founding surrealist movement of the strategy, but also in groups like Oulipo or Fluxus. To conclude, we will see how the multiplicity of approaches that are produced on the same subject, leads to an intermediality that leads us to consider the various mutations of disciplines as part of collective creation.