Sinergias y despedidas: el arte audiovisual como reflejo de la emigración española actual a Europa
[EN] As a result of an increasingly marked globalization, the migration phenomenon has gained in recent years a special interest in the different media. The contributions derived from the visual arts in relation to this theme have been varied, with exhibitions such as "Artists Acoge Arte +...
| Autor: | |
|---|---|
| Tipo de recurso: | capítulo de libro |
| Fecha de publicación: | 2017 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español |
| OAI Identifier: | oai:riunet.upv.es:10251/106827 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/106827 |
| Access Level: | acceso abierto |
| Palabra clave: | Arte audiovisual Emigración española Globalización Ficción Audiovisual art Spanish emigration Globalization Fiction |
| Sumario: | [EN] As a result of an increasingly marked globalization, the migration phenomenon has gained in recent years a special interest in the different media. The contributions derived from the visual arts in relation to this theme have been varied, with exhibitions such as "Artists Acoge Arte + Inmigración" (Antequera, Málaga, from February 12 to 26, 2016), "#SIN FILTROS. Look at the exodus that Europe does not want to see "(Matadero Madrid, from May 26, 2016 to January , 2017) or" We are migrants "(León, January 16r31, 2017). However, the specific case of Spanish emigration to Europe has acquired a greater role in audiovisual platforms (mainly cinema and television, but also in the video art: "The incommensurable", CentroCentro Madrid, from 29 April to 2 August 2016), which have echoed an increasingly normalized and everyday situation. In this case, the audiovisual is a perfect medium in its different platforms for the transmission of stereotypes maintained in a diachronic way, on which to dive to find the deep critical ground that they transmit to the current situations in Europe. In Spanish, audiovisual fiction (Hermosa&juventud, 2014; Perdiendo&en&Norte, 2015) has been and is one of the main channels where this reality has been reflected. This is precisely what often allows facing these situations, act as a canvas where a reactualization of the customs scenes that once populated the paintings. Now the situation is different. Circumstances have made the stage change, but not its protagonists. |
|---|