Transubstanciación de la realidad en El Jarama de Rafael Sánchez Ferlosio y Veladas del Nilo de Naŷīb Maḥfūẓ
Comparative literature follows the most effective bridge of approximation of cultures, an axis of interculturality and a revealing source of the relationships between the different areas of human expression. Counting on this method highlights the confluence between two realistic works, which reveal...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2018 |
| País: | España |
| Institución: | Universidad Autónoma de Madrid |
| Repositorio: | Biblos-e Archivo. Repositorio Institucional de la UAM |
| Idioma: | español |
| OAI Identifier: | oai:repositorio.uam.es:10486/685815 |
| Acceso en línea: | http://hdl.handle.net/10486/685815 |
| Access Level: | acceso abierto |
| Palabra clave: | Sánchez Ferlosio El Jarama Naŷīb Maḥfūẓ Veladas del Nilo Representación de la realidad Literatura |
| Sumario: | Comparative literature follows the most effective bridge of approximation of cultures, an axis of interculturality and a revealing source of the relationships between the different areas of human expression. Counting on this method highlights the confluence between two realistic works, which reveal both the Spanish and Egyptian reality of the mid-twentieth century and, precisely, the fifties in Spain and the sixties in Egypt: The Jarama of Sánchez Ferlosio and Adrift on the Nile of Naŷīb Maḥfūẓ. These works reflect the sufferings and opinions of the poor classes of their respective countries. In the same way, the authors criticized through these novels the passivities of their respective communities. Thus, embody, in this sense, two living examples of the transubstantiation of reality, which converge in many aspects and even in the titles, which are the names of two rivers |
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