Bleak Bodies: Genetically Engineered Women in Louise O'Neill's (Anti-)Utopian Patriarchal Satire Only Ever Yours

In the latest years, Louise O’Neill (1985-) has drawn in the reading community with her novels, which depict the stark reality of rape culture in our contemporary society. Particularly, her debut masterpiece Only Ever Yours (2014) makes use of a feminist dystopian scenario to explore the origins of...

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Detalles Bibliográficos
Autor: Machado Jiménez, Almudena
Tipo de recurso: libro
Fecha de publicación:2021
País:España
Institución:Universidad de Jaén
Repositorio:RUJA. Repositorio Institucional de la Producción Científica de la Universidad de Jaén
OAI Identifier:oai:ruja.ujaen.es:10953/4058
Acceso en línea:https://www.peterlang.com/document/1059212
https://hdl.handle.net/10953/4058
Access Level:acceso abierto
Palabra clave:Dystopia
Louise O'Neill
patriarchal utopia
gender studies
feminism
Only Ever Yours
Irish Literature
Utopian Studies
821
82.09
305
Descripción
Sumario:In the latest years, Louise O’Neill (1985-) has drawn in the reading community with her novels, which depict the stark reality of rape culture in our contemporary society. Particularly, her debut masterpiece Only Ever Yours (2014) makes use of a feminist dystopian scenario to explore the origins of female brainwashing and subjugation that stigmatize women’s nature. The community of O’Neill’s novel brilliantly pushes to the limit the nightmarish day-to-day of young girls and their pressure to become compliant patriarchal women, by immersing them since their creation in an educational centre until they reach seventeen. For this, the author presents a two-fold method of feminine conditioning: pre-natus, with the aid of genetic engineering and artificial birth, and post-natus, since girls undergo isolation and strict indoctrination of the patriarchal standards in female educational centres. After this period of internment, their destinies are fixed for the rest of their lives, either as companions or as concubines, but always silenced and ready to give pleasure to men. This community of eves ironically reflects the phenomenon of ‘sorority without solidarity’, persistent in the creation of patriarchal utopias and that turns as an obstacle for the understanding of what feminism should be. Only Ever Yours necessarily disturbs the mind of the reader and denounces the need to understand feminism not as a homogeneous bloc, but as unity in diversity and mutual understanding, in order to fight back against patriarchy from within.