Volver a la diosa: un aporte mitopoiético a la espiritualidad feminista
[EN] Within the framework of the Second Wave of the feminist movement in the United States, an enthusiastic adhesion of artists was generated around what will be called the Goddess Movement. The theories of the archaeologist Marija Gimbutas, about the existence in neolithic Europe of matricentric, e...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2021 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español |
| OAI Identifier: | oai:riunet.upv.es:10251/192134 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/192134 |
| Access Level: | acceso abierto |
| Palabra clave: | Sculpture Spirituality Goddess Feminism Gimbutas Escultura Espiritualidad Diosa Feminismo |
| Sumario: | [EN] Within the framework of the Second Wave of the feminist movement in the United States, an enthusiastic adhesion of artists was generated around what will be called the Goddess Movement. The theories of the archaeologist Marija Gimbutas, about the existence in neolithic Europe of matricentric, egalitarian and peaceful societies that profess cults to female deities, encouraged an entire generation of artists that, beyond the archaeological debate, saw a space in which to create their own spiritual and symbolic mythical code, and a response to the devaluation that modern monotheisms have exercised, and do exercise, of the feminine. This essay proposes the mythopoietic approach to artistic practice that is, the creative revision of myths , as a valid approach with which to contribute, from contemporary Sculpture, to the deconstruction of the dual paradigm that determines the relationships among people and as a contribution to feminist spirituality. |
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