Al fin del largo corredor había uno que era yo. El problema del doble en Juan Ramón Jiménez
In the experience of the double, the self verifies that there are other selves in itself. In spite of his radical affirmation of the self, converted into the whole, Juan Ramón Jiménez strongly experienced this phenomenon of the double. Juan Ramón consciously creates a self in his poetic work with wh...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2024 |
| País: | España |
| Institución: | Universidad de Sevilla (US) |
| Repositorio: | idUS. Depósito de Investigación de la Universidad de Sevilla |
| OAI Identifier: | oai:idus.us.es:11441/165920 |
| Acceso en línea: | https://hdl.handle.net/11441/165920 https://doi.org/10.15366/bp2024.37.075 |
| Access Level: | acceso abierto |
| Palabra clave: | Juan Ramón Jiménez Yo Doble Otro yo Alteridad Reconocimiento Diálogo Monólogo Self Double Other self Otherness Recognition Dialogue Monologue |
| Sumario: | In the experience of the double, the self verifies that there are other selves in itself. In spite of his radical affirmation of the self, converted into the whole, Juan Ramón Jiménez strongly experienced this phenomenon of the double. Juan Ramón consciously creates a self in his poetic work with which he intends to realize his ideal self. In addition, he senses the existence within himself of other selves that arise spontaneously. These doubles threaten his own identity, so that, first, he cannot, unlike Hegel, recognize or reconcile himself with them, and, second, unlike Machado, he cannot consider them as his complementaries or, therefore, enter into dialogue with them. |
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