Toda la ciudad era un paisaje : naturaleza, arquitectura y pintura en la obra de Wang Shu.

According to Wang Shu, the experience generated by his architecture is analogous to the one of looking at Chinese traditional painting. Said discipline differs from Western art in that it does not seek to showcase the author’s visual sensitivity through the description of light, objects and space. N...

Descripción completa

Detalles Bibliográficos
Autores: Bigas Vidal, Montserrat, Bravo Farré, Luis|||0000-0003-0230-7607, Fernández Morales, Angélica, Font Basté, Gloria, Li, Gaoli, Quan, Liyuan, Recasens Alsina, Marta
Tipo de recurso: artículo
Fecha de publicación:2015
País:España
Institución:Universitat Politècnica de Catalunya (UPC)
Repositorio:UPCommons. Portal del coneixement obert de la UPC
Idioma:español
OAI Identifier:oai:upcommons.upc.edu:2117/84053
Acceso en línea:https://hdl.handle.net/2117/84053
Access Level:acceso abierto
Palabra clave:Wang, Shu, 1963-
Proyecto
Arquitectura
Urbanismo
Paisajismo
Wang Shu
Pintura china
Àrees temàtiques de la UPC::Arquitectura::Arquitectes
id ES_f9b8d7aade87e73fc4a38f780bead30f
oai_identifier_str oai:upcommons.upc.edu:2117/84053
network_acronym_str ES
network_name_str España
repository_id_str
spelling Toda la ciudad era un paisaje : naturaleza, arquitectura y pintura en la obra de Wang Shu.Bigas Vidal, MontserratBravo Farré, Luis|||0000-0003-0230-7607Fernández Morales, AngélicaFont Basté, GloriaLi, GaoliQuan, LiyuanRecasens Alsina, MartaWang, Shu, 1963-ProyectoArquitecturaUrbanismoPaisajismoWang ShuPintura chinaWang, Shu, 1963-Àrees temàtiques de la UPC::Arquitectura::ArquitectesAccording to Wang Shu, the experience generated by his architecture is analogous to the one of looking at Chinese traditional painting. Said discipline differs from Western art in that it does not seek to showcase the author’s visual sensitivity through the description of light, objects and space. Nor does it define its subjects through colour, but by a combination of dark outlines and a few thinly laid hues. The painter, furthermore, does not work from life. He is also a philosopher, a poet and a master of a wide array of other technical and humanist fields of his time. Prior to painting a site, he lives there in solitary retreat and studies the constellation of universal structures and natural forces at play and be able to, later, share that knowledge through his art. It is producing that same type of experience that lies at the heart of Wang Shu’s architecture’s motivation.Peer Reviewed20152015-05-0120162016-03-09journal articlehttp://purl.org/coar/resource_type/c_6501AMhttp://purl.org/coar/version/c_ab4af688f83e57aainfo:eu-repo/semantics/articleapplication/pdfapplication/pdfhttps://hdl.handle.net/2117/84053reponame:UPCommons. Portal del coneixement obert de la UPCinstname:Universitat Politècnica de Catalunya (UPC)Españolspaopen accesshttp://purl.org/coar/access_right/c_abf2info:eu-repo/semantics/openAccessoai:upcommons.upc.edu:2117/840532026-05-27T15:37:01Z
dc.title.none.fl_str_mv Toda la ciudad era un paisaje : naturaleza, arquitectura y pintura en la obra de Wang Shu.
title Toda la ciudad era un paisaje : naturaleza, arquitectura y pintura en la obra de Wang Shu.
spellingShingle Toda la ciudad era un paisaje : naturaleza, arquitectura y pintura en la obra de Wang Shu.
Bigas Vidal, Montserrat
Wang, Shu, 1963-
Proyecto
Arquitectura
Urbanismo
Paisajismo
Wang Shu
Pintura china
Wang, Shu, 1963-
Àrees temàtiques de la UPC::Arquitectura::Arquitectes
title_short Toda la ciudad era un paisaje : naturaleza, arquitectura y pintura en la obra de Wang Shu.
title_full Toda la ciudad era un paisaje : naturaleza, arquitectura y pintura en la obra de Wang Shu.
title_fullStr Toda la ciudad era un paisaje : naturaleza, arquitectura y pintura en la obra de Wang Shu.
title_full_unstemmed Toda la ciudad era un paisaje : naturaleza, arquitectura y pintura en la obra de Wang Shu.
title_sort Toda la ciudad era un paisaje : naturaleza, arquitectura y pintura en la obra de Wang Shu.
dc.creator.none.fl_str_mv Bigas Vidal, Montserrat
Bravo Farré, Luis|||0000-0003-0230-7607
Fernández Morales, Angélica
Font Basté, Gloria
Li, Gaoli
Quan, Liyuan
Recasens Alsina, Marta
author Bigas Vidal, Montserrat
author_facet Bigas Vidal, Montserrat
Bravo Farré, Luis|||0000-0003-0230-7607
Fernández Morales, Angélica
Font Basté, Gloria
Li, Gaoli
Quan, Liyuan
Recasens Alsina, Marta
author_role author
author2 Bravo Farré, Luis|||0000-0003-0230-7607
Fernández Morales, Angélica
Font Basté, Gloria
Li, Gaoli
Quan, Liyuan
Recasens Alsina, Marta
author2_role author
author
author
author
author
author
dc.subject.none.fl_str_mv Wang, Shu, 1963-
Proyecto
Arquitectura
Urbanismo
Paisajismo
Wang Shu
Pintura china
Wang, Shu, 1963-
Àrees temàtiques de la UPC::Arquitectura::Arquitectes
topic Wang, Shu, 1963-
Proyecto
Arquitectura
Urbanismo
Paisajismo
Wang Shu
Pintura china
Wang, Shu, 1963-
Àrees temàtiques de la UPC::Arquitectura::Arquitectes
description According to Wang Shu, the experience generated by his architecture is analogous to the one of looking at Chinese traditional painting. Said discipline differs from Western art in that it does not seek to showcase the author’s visual sensitivity through the description of light, objects and space. Nor does it define its subjects through colour, but by a combination of dark outlines and a few thinly laid hues. The painter, furthermore, does not work from life. He is also a philosopher, a poet and a master of a wide array of other technical and humanist fields of his time. Prior to painting a site, he lives there in solitary retreat and studies the constellation of universal structures and natural forces at play and be able to, later, share that knowledge through his art. It is producing that same type of experience that lies at the heart of Wang Shu’s architecture’s motivation.
publishDate 2015
dc.date.none.fl_str_mv 2015
2015-05-01
2016
2016-03-09
dc.type.none.fl_str_mv journal article
http://purl.org/coar/resource_type/c_6501
AM
http://purl.org/coar/version/c_ab4af688f83e57aa
dc.type.openaire.fl_str_mv info:eu-repo/semantics/article
format article
dc.identifier.none.fl_str_mv https://hdl.handle.net/2117/84053
url https://hdl.handle.net/2117/84053
dc.language.none.fl_str_mv Español
spa
language_invalid_str_mv Español
language spa
dc.rights.none.fl_str_mv open access
http://purl.org/coar/access_right/c_abf2
dc.rights.openaire.fl_str_mv info:eu-repo/semantics/openAccess
rights_invalid_str_mv open access
http://purl.org/coar/access_right/c_abf2
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.source.none.fl_str_mv reponame:UPCommons. Portal del coneixement obert de la UPC
instname:Universitat Politècnica de Catalunya (UPC)
instname_str Universitat Politècnica de Catalunya (UPC)
reponame_str UPCommons. Portal del coneixement obert de la UPC
collection UPCommons. Portal del coneixement obert de la UPC
repository.name.fl_str_mv
repository.mail.fl_str_mv
_version_ 1869425120454377472
score 15,300724