PRÁCTICAS DEL AUDIOVISUAL EN TIEMPO REAL: del medio físico al medio telemático
[EN] The visual sound real time live performances, also calls live cinema, are characterized, primarily, by a nonlinear narrative construction, in which the artist composed the work during its own event. It is a fact which data and performance are both crucial for the final result, occurring during...
| Authors: | , |
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| Format: | book part |
| Publication Date: | 2015 |
| Country: | España |
| Institution: | Universitat Politècnica de València (UPV) |
| Repository: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Language: | Spanish |
| OAI Identifier: | oai:riunet.upv.es:10251/97813 |
| Online Access: | https://riunet.upv.es/handle/10251/97813 |
| Access Level: | Open access |
| Keyword: | Live cinema Audiovisual en tiempo real Performance audiovisual Sistema telemático |
| Summary: | [EN] The visual sound real time live performances, also calls live cinema, are characterized, primarily, by a nonlinear narrative construction, in which the artist composed the work during its own event. It is a fact which data and performance are both crucial for the final result, occurring during the human-machine symbiosis where the unpredictability and randomness allow a newfangled correlation. For this paper, we discuss the nonlinear narrative process in the real time audiovisual practices, enabling the understanding of this system as a set of components on an interaction state. Also we present the system as a cluster of independent parties, discussing their training from concept compression codes, media and rhythms in the practice of live cinema. Finally, we will discuss the arrangement in the electronic media to generate and exchange the real time information. At this point in time, we will present the performance of their own regulations components encoding that define this kind of work, based on the physical environment to telematics, until returning to the physical environment through the result of a performance, that we call as transduction and transcoding audiovisual process. For grading information, we’ll put forward, as a case study, the live electronic duo Clássicos, Calçada, a real time audiovisual experimental project, based on personal experiences in urban exploration, formed by the authors of this preposition: DeCo Nascimento and Tatiana Travisani. |
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