La ley que aniquila al sujeto (de deseo) en El verdugo, de Luis García Berlanga (1963)

[EN] Jesús González Requena, in his work Clásico, manierista, postclásico. Los modos del relato en el cine de Hollywood (2006) introduces ¿based on the oedipal story¿ the concepts of Axis of Law and Axis of Lack to refer to the vectors that determine the becoming of the Subject in the Story. If the...

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Detalhes bibliográficos
Autor: Hermida-Bellot, Carolina|||0000-0003-2864-7730
Formato: artículo
Fecha de publicación:2024
País:España
Recursos:Universitat Politècnica de València (UPV)
Repositorio:RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia
Idioma:español
OAI Identifier:oai:dnet:riunet______::88da05e6b02a6bbcf0b099be864946e4
Acesso em linha:https://riunet.upv.es/handle/10251/235951
Access Level:acceso abierto
Palavra-chave:Berlanga
The Executioner
Law
Lack
Responsibility
El verdugo
Ley
Carencia
Responsabilidad
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spelling La ley que aniquila al sujeto (de deseo) en El verdugo, de Luis García Berlanga (1963)The law that annihilates the subject (of desire) in Luis García Berlanga&aposs El verdugo (1963)Hermida-Bellot, Carolina|||0000-0003-2864-7730BerlangaThe ExecutionerLawLackResponsibilityEl verdugoLeyCarenciaResponsabilidad[EN] Jesús González Requena, in his work Clásico, manierista, postclásico. Los modos del relato en el cine de Hollywood (2006) introduces ¿based on the oedipal story¿ the concepts of Axis of Law and Axis of Lack to refer to the vectors that determine the becoming of the Subject in the Story. If the Axis of Lack deploys the energy that mobilises the Subject towards the achievement of his Object of Desire, the Axis of Law introduces a series of norms and prohibitions that regulate this Desire through the fulfilment of a Task. We will study the particular and conflictive articulation of both axes in Luis García Berlanga's El verdugo (1963), a film in which the weak protagonist, José Luis, is harassed by the paternal figure embodied by his father-in-law, Amadeo, who not only overrides his desires, but also imposes on him the difficult task of acting, like him, as a professional executioner, killing another man in the name of the Law. All this under the long shadow of Carmen, Amadeo's daughter and José Luis' wife.Asociación Cultural Trama y FondoDepartamento de Comunicación Audiovisual, Documentación e Historia del ArteEscuela Politécnica Superior de GandiaGrupo de Comunicación, Arte y Cultura VisualRepositorio Institucional de la Universitat Politècnica de València Riunet20242024-01-01journal articlehttp://purl.org/coar/resource_type/c_6501VoRhttp://purl.org/coar/version/c_970fb48d4fbd8a85info:eu-repo/semantics/articleapplication/pdfhttps://riunet.upv.es/handle/10251/235951reponame:RiuNet. Repositorio Institucional de la Universitat Politécnica de Valénciainstname:Universitat Politècnica de València (UPV)Españolspaopen accesshttp://purl.org/coar/access_right/c_abf2Reconocimiento - Sin obra derivada (by-nd) http://creativecommons.org/licenses/by-nd/4.0/info:eu-repo/semantics/openAccessoai:dnet:riunet______::88da05e6b02a6bbcf0b099be864946e42026-06-13T07:49:27Z
dc.title.none.fl_str_mv La ley que aniquila al sujeto (de deseo) en El verdugo, de Luis García Berlanga (1963)
The law that annihilates the subject (of desire) in Luis García Berlanga&apos
s El verdugo (1963)
title La ley que aniquila al sujeto (de deseo) en El verdugo, de Luis García Berlanga (1963)
spellingShingle La ley que aniquila al sujeto (de deseo) en El verdugo, de Luis García Berlanga (1963)
Hermida-Bellot, Carolina|||0000-0003-2864-7730
Berlanga
The Executioner
Law
Lack
Responsibility
El verdugo
Ley
Carencia
Responsabilidad
title_short La ley que aniquila al sujeto (de deseo) en El verdugo, de Luis García Berlanga (1963)
title_full La ley que aniquila al sujeto (de deseo) en El verdugo, de Luis García Berlanga (1963)
title_fullStr La ley que aniquila al sujeto (de deseo) en El verdugo, de Luis García Berlanga (1963)
title_full_unstemmed La ley que aniquila al sujeto (de deseo) en El verdugo, de Luis García Berlanga (1963)
title_sort La ley que aniquila al sujeto (de deseo) en El verdugo, de Luis García Berlanga (1963)
dc.creator.none.fl_str_mv Hermida-Bellot, Carolina|||0000-0003-2864-7730
author Hermida-Bellot, Carolina|||0000-0003-2864-7730
author_facet Hermida-Bellot, Carolina|||0000-0003-2864-7730
author_role author
dc.contributor.none.fl_str_mv Departamento de Comunicación Audiovisual, Documentación e Historia del Arte
Escuela Politécnica Superior de Gandia
Grupo de Comunicación, Arte y Cultura Visual
Repositorio Institucional de la Universitat Politècnica de València Riunet
dc.subject.none.fl_str_mv Berlanga
The Executioner
Law
Lack
Responsibility
El verdugo
Ley
Carencia
Responsabilidad
topic Berlanga
The Executioner
Law
Lack
Responsibility
El verdugo
Ley
Carencia
Responsabilidad
description [EN] Jesús González Requena, in his work Clásico, manierista, postclásico. Los modos del relato en el cine de Hollywood (2006) introduces ¿based on the oedipal story¿ the concepts of Axis of Law and Axis of Lack to refer to the vectors that determine the becoming of the Subject in the Story. If the Axis of Lack deploys the energy that mobilises the Subject towards the achievement of his Object of Desire, the Axis of Law introduces a series of norms and prohibitions that regulate this Desire through the fulfilment of a Task. We will study the particular and conflictive articulation of both axes in Luis García Berlanga's El verdugo (1963), a film in which the weak protagonist, José Luis, is harassed by the paternal figure embodied by his father-in-law, Amadeo, who not only overrides his desires, but also imposes on him the difficult task of acting, like him, as a professional executioner, killing another man in the name of the Law. All this under the long shadow of Carmen, Amadeo's daughter and José Luis' wife.
publishDate 2024
dc.date.none.fl_str_mv 2024
2024-01-01
dc.type.none.fl_str_mv journal article
http://purl.org/coar/resource_type/c_6501
VoR
http://purl.org/coar/version/c_970fb48d4fbd8a85
dc.type.openaire.fl_str_mv info:eu-repo/semantics/article
format article
dc.identifier.none.fl_str_mv https://riunet.upv.es/handle/10251/235951
url https://riunet.upv.es/handle/10251/235951
dc.language.none.fl_str_mv Español
spa
language_invalid_str_mv Español
language spa
dc.rights.none.fl_str_mv open access
http://purl.org/coar/access_right/c_abf2
Reconocimiento - Sin obra derivada (by-nd)
http://creativecommons.org/licenses/by-nd/4.0/
dc.rights.openaire.fl_str_mv info:eu-repo/semantics/openAccess
rights_invalid_str_mv open access
http://purl.org/coar/access_right/c_abf2
Reconocimiento - Sin obra derivada (by-nd)
http://creativecommons.org/licenses/by-nd/4.0/
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Asociación Cultural Trama y Fondo
publisher.none.fl_str_mv Asociación Cultural Trama y Fondo
dc.source.none.fl_str_mv reponame:RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia
instname:Universitat Politècnica de València (UPV)
instname_str Universitat Politècnica de València (UPV)
reponame_str RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia
collection RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia
repository.name.fl_str_mv
repository.mail.fl_str_mv
_version_ 1869425041962172416
score 15.198674

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