Lorand Gaspar, les pores du mot. « Pierre » et la contemplation énactive

This study provides an analysis of Lorand Gaspar’s sequence of poems “Pierre” through the notion of enactive contemplation. The purpose of the paper is to investigate the forms of knowledge that are encoded in Lorand Gaspar’s literary language and to offer a comprehensive account of the ways in whic...

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Detalles Bibliográficos
Autor: Bermúdez, Víctor
Tipo de recurso: artículo
Estado:Versión publicada
Fecha de publicación:2025
País:España
Institución:Universidad de Salamanca (USAL)
Repositorio:GREDOS. Repositorio Institucional de la Universidad de Salamanca
OAI Identifier:oai:gredos.usal.es:10366/166924
Acceso en línea:http://hdl.handle.net/10366/166924
Access Level:acceso abierto
Palabra clave:Lyric Theory
Enaction
Phenomenology
Attention
Poetic Knowledge
Geopoetics
6202 Teoría, Análisis y Crítica Literarias
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spelling Lorand Gaspar, les pores du mot. « Pierre » et la contemplation énactiveBermúdez, VíctorLyric TheoryEnactionPhenomenologyAttentionPoetic KnowledgeGeopoetics6202 Teoría, Análisis y Crítica LiterariasThis study provides an analysis of Lorand Gaspar’s sequence of poems “Pierre” through the notion of enactive contemplation. The purpose of the paper is to investigate the forms of knowledge that are encoded in Lorand Gaspar’s literary language and to offer a comprehensive account of the ways in which poetic language expresses the perception of the real world and of the conceived-mental world through a philological analysis. From a theoretical point of view, the study is primordially grounded on phenomenological principles and on the cognitive science’s notion of enaction which allow to consider the poem as an interactive process rather than as a finished object, although it also refers to various tools of geopoetics and lyric theory in order to provide an argumentation of what poetic contemplation entails. The scope of the study is focused on the series “Pierre” but it can, nevertheless, be extrapolated to Gaspar’s poetics as a whole.202520252025info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://hdl.handle.net/10366/166924reponame:GREDOS. Repositorio Institucional de la Universidad de Salamancainstname:Universidad de Salamanca (USAL)FrancésAttribution-NonCommercial-NoDerivatives 4.0 Internacionalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessoai:gredos.usal.es:10366/1669242026-06-07T06:28:51Z
dc.title.none.fl_str_mv Lorand Gaspar, les pores du mot. « Pierre » et la contemplation énactive
title Lorand Gaspar, les pores du mot. « Pierre » et la contemplation énactive
spellingShingle Lorand Gaspar, les pores du mot. « Pierre » et la contemplation énactive
Bermúdez, Víctor
Lyric Theory
Enaction
Phenomenology
Attention
Poetic Knowledge
Geopoetics
6202 Teoría, Análisis y Crítica Literarias
title_short Lorand Gaspar, les pores du mot. « Pierre » et la contemplation énactive
title_full Lorand Gaspar, les pores du mot. « Pierre » et la contemplation énactive
title_fullStr Lorand Gaspar, les pores du mot. « Pierre » et la contemplation énactive
title_full_unstemmed Lorand Gaspar, les pores du mot. « Pierre » et la contemplation énactive
title_sort Lorand Gaspar, les pores du mot. « Pierre » et la contemplation énactive
dc.creator.none.fl_str_mv Bermúdez, Víctor
author Bermúdez, Víctor
author_facet Bermúdez, Víctor
author_role author
dc.subject.none.fl_str_mv Lyric Theory
Enaction
Phenomenology
Attention
Poetic Knowledge
Geopoetics
6202 Teoría, Análisis y Crítica Literarias
topic Lyric Theory
Enaction
Phenomenology
Attention
Poetic Knowledge
Geopoetics
6202 Teoría, Análisis y Crítica Literarias
description This study provides an analysis of Lorand Gaspar’s sequence of poems “Pierre” through the notion of enactive contemplation. The purpose of the paper is to investigate the forms of knowledge that are encoded in Lorand Gaspar’s literary language and to offer a comprehensive account of the ways in which poetic language expresses the perception of the real world and of the conceived-mental world through a philological analysis. From a theoretical point of view, the study is primordially grounded on phenomenological principles and on the cognitive science’s notion of enaction which allow to consider the poem as an interactive process rather than as a finished object, although it also refers to various tools of geopoetics and lyric theory in order to provide an argumentation of what poetic contemplation entails. The scope of the study is focused on the series “Pierre” but it can, nevertheless, be extrapolated to Gaspar’s poetics as a whole.
publishDate 2025
dc.date.none.fl_str_mv 2025
2025
2025
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv http://hdl.handle.net/10366/166924
url http://hdl.handle.net/10366/166924
dc.language.none.fl_str_mv
Francés
language_invalid_str_mv
Francés
dc.rights.none.fl_str_mv Attribution-NonCommercial-NoDerivatives 4.0 Internacional
http://creativecommons.org/licenses/by-nc-nd/4.0/
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Attribution-NonCommercial-NoDerivatives 4.0 Internacional
http://creativecommons.org/licenses/by-nc-nd/4.0/
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.source.none.fl_str_mv reponame:GREDOS. Repositorio Institucional de la Universidad de Salamanca
instname:Universidad de Salamanca (USAL)
instname_str Universidad de Salamanca (USAL)
reponame_str GREDOS. Repositorio Institucional de la Universidad de Salamanca
collection GREDOS. Repositorio Institucional de la Universidad de Salamanca
repository.name.fl_str_mv
repository.mail.fl_str_mv
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