Spectroscopic Investigation ofWall Paintings in the Alhambra Monumental Ensemble: Decorations with Red Bricks
The Alhambra Monumental Ensemble (Granada, Spain) is a unique well-preserved palatine city from the medieval Islamic period, and it constitutes the best example of Nasrid architecture. In this work, we focus on the study of one of its most unknown decorations: Wall paintings with the appearance of r...
| Autores: | , , , , , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2021 |
| País: | España |
| Institución: | Universidad de Jaén |
| Repositorio: | RUJA. Repositorio Institucional de la Producción Científica de la Universidad de Jaén |
| OAI Identifier: | oai:ruja.ujaen.es:10953/4308 |
| Acceso en línea: | https://doi.org/10.3390/cryst11040423 https://hdl.handle.net/10953/4308 |
| Access Level: | acceso abierto |
| Palabra clave: | Wall paintings Alhambra Portable Raman SEM-EDS Red ochre Lime mortar |
| Sumario: | The Alhambra Monumental Ensemble (Granada, Spain) is a unique well-preserved palatine city from the medieval Islamic period, and it constitutes the best example of Nasrid architecture. In this work, we focus on the study of one of its most unknown decorations: Wall paintings with the appearance of red bricks. These faux brick decorations are found in many different locations within the Alhambra complex, including both exterior and interior walls, arches and vaults. We have considered locations from different Nasrid reigns to gain information about their characteristics in terms of materials, execution techniques and conservation state. They have been studied combining a non-invasive methodology using portable equipment (X-ray fluorescence (XRF) and Raman spectroscopy) with complementary studies on selected samples (Scanning Electron Microscopy-Energy Dispersive X-ray Spectroscopy (SEM-EDS) and Raman microimaging). In general, those located in the exterior are poorly preserved, in contrast with the good conservation state of the interior motifs. The red rectangles of these decorations were painted over a white finishing layer, which acted also as the edge lines between these false bricks. The red colour was always due to hematite (α-Fe2O3), as revealed by its characteristic Raman bands. The use of a natural red ochre pigment (very abundant in the region) could be hypothesised considering XRF and SEM-EDS results. In general, the white layer was made of lime mortar and the presence of CaCO3 in the painting layers suggests the use of lime-based techniques (either fresco or mezzo fresco). Only in one of the indoor locations, a different execution technique, based on gypsum (CaSO4 · 2H2O) plaster, was used. The identification of calcium oxalate in this location, in the form of weddellite (CaC2O4 · 2H2O), can be interpreted as the result of organic binder degradation. Furthermore, superficial contamination with gypsum was always detected in outdoor locations. |
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