Imitación y traducción de Luciano en dos escritores áureos: Bartolomé Leonardo de Argensola y Sancho Bravo de Lagunas, (ediciones críticas y estudios)

If we contemplated the history of literature from an imaginary vantage point, and centred our attention on a time line that stretched from the first phases of literary creation to our current age, we could see how there are some authors who participate in a more active, and sometimes decisive way, n...

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Detalles Bibliográficos
Autor: Redondo Pérez, Germán
Tipo de recurso: tesis doctoral
Fecha de publicación:2016
País:España
Institución:Universidad Complutense de Madrid (UCM)
Repositorio:Docta Complutense
Idioma:español
OAI Identifier:oai:docta.ucm.es:20.500.14352/26986
Acceso en línea:https://hdl.handle.net/20.500.14352/26986
Access Level:acceso abierto
Palabra clave:821.31.4.2Leonardo de Argensola, Bartolomé1.09(043.2)
Bartolomé Leonardo de Argensola
Sancho Bravo de Lagunas
Literatura española e hispanoamericana
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spelling Imitación y traducción de Luciano en dos escritores áureos: Bartolomé Leonardo de Argensola y Sancho Bravo de Lagunas, (ediciones críticas y estudios)Redondo Pérez, Germán821.31.4.2Leonardo de Argensola, Bartolomé1.09(043.2)Bartolomé Leonardo de ArgensolaSancho Bravo de LagunasLiteratura española e hispanoamericanaIf we contemplated the history of literature from an imaginary vantage point, and centred our attention on a time line that stretched from the first phases of literary creation to our current age, we could see how there are some authors who participate in a more active, and sometimes decisive way, not only in a specific period, but across several which, oftentimes, are spaced out and not connected. These are the masters of art created with words, those who, like Lucian, a writer who knew how to put to greater and better use the literary motif just used, continued to have a significant influence even centuries after their disappearance on men of letters with varying cultures, religions, and thought, who nonetheless admired, imitated, or studied their creations. Based on the interest Lucian inspired in two writers from the golden age of Spanish literature, although with very different outcomes, the purpose of this study was to investigate the way Lucian's most characteristic features were adapted to the writer's own literary production, that is, the process followed in imitatio, and also the most effective means of introducing Lucian's work to a society that was quite distant both from the language and the cultural references of the original, or, in other words, the process of translation. Both are intellectual activities that have had a great importance in not only recovering the few, although decisive, works that have reached us from antiquity, but also in the progression that literature underwent in specific periods, thanks to their theoretical development...Universidad Complutense de MadridVián Herrero, Ana MaríaUniversidad Complutense de Madrid20162016-04-1420162016-04-14doctoral thesishttp://purl.org/coar/resource_type/c_db06info:eu-repo/semantics/doctoralThesisapplication/pdfhttps://hdl.handle.net/20.500.14352/26986reponame:Docta Complutenseinstname:Universidad Complutense de Madrid (UCM)Españolspaopen accesshttp://purl.org/coar/access_right/c_abf2info:eu-repo/semantics/openAccessoai:docta.ucm.es:20.500.14352/269862026-06-02T12:44:21Z
dc.title.none.fl_str_mv Imitación y traducción de Luciano en dos escritores áureos: Bartolomé Leonardo de Argensola y Sancho Bravo de Lagunas, (ediciones críticas y estudios)
title Imitación y traducción de Luciano en dos escritores áureos: Bartolomé Leonardo de Argensola y Sancho Bravo de Lagunas, (ediciones críticas y estudios)
spellingShingle Imitación y traducción de Luciano en dos escritores áureos: Bartolomé Leonardo de Argensola y Sancho Bravo de Lagunas, (ediciones críticas y estudios)
Redondo Pérez, Germán
821.31.4.2Leonardo de Argensola, Bartolomé1.09(043.2)
Bartolomé Leonardo de Argensola
Sancho Bravo de Lagunas
Literatura española e hispanoamericana
title_short Imitación y traducción de Luciano en dos escritores áureos: Bartolomé Leonardo de Argensola y Sancho Bravo de Lagunas, (ediciones críticas y estudios)
title_full Imitación y traducción de Luciano en dos escritores áureos: Bartolomé Leonardo de Argensola y Sancho Bravo de Lagunas, (ediciones críticas y estudios)
title_fullStr Imitación y traducción de Luciano en dos escritores áureos: Bartolomé Leonardo de Argensola y Sancho Bravo de Lagunas, (ediciones críticas y estudios)
title_full_unstemmed Imitación y traducción de Luciano en dos escritores áureos: Bartolomé Leonardo de Argensola y Sancho Bravo de Lagunas, (ediciones críticas y estudios)
title_sort Imitación y traducción de Luciano en dos escritores áureos: Bartolomé Leonardo de Argensola y Sancho Bravo de Lagunas, (ediciones críticas y estudios)
dc.creator.none.fl_str_mv Redondo Pérez, Germán
author Redondo Pérez, Germán
author_facet Redondo Pérez, Germán
author_role author
dc.contributor.none.fl_str_mv Vián Herrero, Ana María
Universidad Complutense de Madrid
dc.subject.none.fl_str_mv 821.31.4.2Leonardo de Argensola, Bartolomé1.09(043.2)
Bartolomé Leonardo de Argensola
Sancho Bravo de Lagunas
Literatura española e hispanoamericana
topic 821.31.4.2Leonardo de Argensola, Bartolomé1.09(043.2)
Bartolomé Leonardo de Argensola
Sancho Bravo de Lagunas
Literatura española e hispanoamericana
description If we contemplated the history of literature from an imaginary vantage point, and centred our attention on a time line that stretched from the first phases of literary creation to our current age, we could see how there are some authors who participate in a more active, and sometimes decisive way, not only in a specific period, but across several which, oftentimes, are spaced out and not connected. These are the masters of art created with words, those who, like Lucian, a writer who knew how to put to greater and better use the literary motif just used, continued to have a significant influence even centuries after their disappearance on men of letters with varying cultures, religions, and thought, who nonetheless admired, imitated, or studied their creations. Based on the interest Lucian inspired in two writers from the golden age of Spanish literature, although with very different outcomes, the purpose of this study was to investigate the way Lucian's most characteristic features were adapted to the writer's own literary production, that is, the process followed in imitatio, and also the most effective means of introducing Lucian's work to a society that was quite distant both from the language and the cultural references of the original, or, in other words, the process of translation. Both are intellectual activities that have had a great importance in not only recovering the few, although decisive, works that have reached us from antiquity, but also in the progression that literature underwent in specific periods, thanks to their theoretical development...
publishDate 2016
dc.date.none.fl_str_mv 2016
2016-04-14
2016
2016-04-14
dc.type.none.fl_str_mv doctoral thesis
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dc.identifier.none.fl_str_mv https://hdl.handle.net/20.500.14352/26986
url https://hdl.handle.net/20.500.14352/26986
dc.language.none.fl_str_mv Español
spa
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language spa
dc.rights.none.fl_str_mv open access
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dc.rights.openaire.fl_str_mv info:eu-repo/semantics/openAccess
rights_invalid_str_mv open access
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eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidad Complutense de Madrid
publisher.none.fl_str_mv Universidad Complutense de Madrid
dc.source.none.fl_str_mv reponame:Docta Complutense
instname:Universidad Complutense de Madrid (UCM)
instname_str Universidad Complutense de Madrid (UCM)
reponame_str Docta Complutense
collection Docta Complutense
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