La memoria dibujada: trauma, reconstrucción y archivo en el documental animado. Los casos de Vals con Bashir(Waltz with Bashir, 2009) y Flee (2021)
[EN] The animated documentary poses a problem that refers to the ontological foundations of the documentary. If the documentary discourse seeks to endorse itself in the nature of a document, how can this intentionality be reconciled with the substitution of the bioscopic image by the animated one? H...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2024 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español |
| OAI Identifier: | oai:riunet.upv.es:10251/226688 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/226688 |
| Access Level: | acceso abierto |
| Palabra clave: | Documental animado No ficción Trauma Archivo Vals con Bashir Flee Animated documentary Non-fiction Archive Waltz with Bashir |
| Sumario: | [EN] The animated documentary poses a problem that refers to the ontological foundations of the documentary. If the documentary discourse seeks to endorse itself in the nature of a document, how can this intentionality be reconciled with the substitution of the bioscopic image by the animated one? How can a reconstruction of the memory of the traumatized subject be founded in the context of this dialogue? This article aims to answer these questions from the cases of Waltz with Bashir and Flee. |
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