Castelli per tutte le stagioni. Castelforte di Puglia e la fortuna del neogotico in Italia
[EN] The 1884 Turin International Exhibition bequeathed one of the most cultured and refined stone translations of the medieval dream of an era and an entire generation. The medieval hamlet of Valentino, built at the slopes of the Po' and designed by Alfredo d'Andrade, is the clear...
| Autores: | , |
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| Tipo de recurso: | capítulo de libro |
| Fecha de publicación: | 2024 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | italiano |
| OAI Identifier: | oai:riunet.upv.es:10251/208895 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/208895 |
| Access Level: | acceso abierto |
| Palabra clave: | Neo-Gothic Castels Puglia Recovery |
| Sumario: | [EN] The 1884 Turin International Exhibition bequeathed one of the most cultured and refined stone translations of the medieval dream of an era and an entire generation. The medieval hamlet of Valentino, built at the slopes of the Po' and designed by Alfredo d'Andrade, is the clearest representation and it initiates a phenomenon of exercises on the same theme that crosses the whole peninsula and bypasses the nineteenth century. The 1884 Turin International Exhibition bequeathed one of the most cultured and refined stone translations of the medieval dream of an era and an entire generation. The medieval hamlet of Valentino, built at the slopes of the Po' and designed by Alfredo d'Andrade, is the clearest representation and it initiates a phenomenon of exercises on the same theme that crosses the whole peninsula and bypasses the nineteenth century. |
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